Ridgewood Radio with David Weinstein:
Playlist
from July 27, 2022
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Ridgewood Radio features concert recordings by adventurous bands and experimental musicians and restored archival tapes from private and institutional collections captured at venues large and small across the five boroughs of New York. It is produced by David Weinstein and Outpost Artists Resources operating out of the Ridgewood section of Queens, NY, where you'll find more yellow bricks than on the road to Oz and the cemetery of your choice is never more than a few blocks from home.
Wednesday
5 - 7pm
(EDT)
|
On
WFMU's
Give the Drummer Radio
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July 27, 2022: Surfing With Eno
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Brian Eno
of musician/producer/visionary Brian Eno.
| Artist | Track | Album | Label | Year | Comments | Approx. start time | ||||
|---|---|---|---|---|---|---|---|---|---|---|
| David Bowie |
We Prick You
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1. Outside (The Nathan Adler Diaries: A Hyper Cycle) | Virgin Records | 1995 | Written and produced by Bowie with Brian Eno, a song cycle and mystery story about outsider art and ritualism. | |||||
| Brian Eno & Jah Wobble |
Transmitter and Trumpet
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Spinner | All Saints | 1995 | Originally created as Eno's soundtrack for Derek Jarman's last film, Glitterbug, and then freely processed for album release by Wobble, bassist from Public Image Ltd.. | 0:07:28 (Pop-up) | ||||
| James Blake |
Overgrown
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Digital Lion | Polydor Ltd. | 2013 | Produced by Blake and composed with Brian Eno, Rob McAndrew. | 0:16:00 (Pop-up) | ||||
| Jon Hassell & Brian Eno |
Chemistry
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Fourth World Vol. 1-Possible Musics | Editions EG | 1980 | A paradigm shifter, described by Hassell as "a unified primitive/futuristic sound combining features of world ethnic styles with advanced electronic techniques." | 0:20:47 (Pop-up) | ||||
| Harmonia & Eno '76 |
Atmosphere
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Tracks and Traces | Grönland Records | 2009 | From an expanded re-issue of the 1997 album, all unreleased material from 1976, created by Eno with Neu! guitarist Michael Rother and Cluster members Hans-Joachim Roedelius and Dieter Moebius. | 0:27:39 (Pop-up) | ||||
| Robert Fripp |
Exposure
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Exposure | Polydor | 1979 | Early Frippertronics, the technique developed while working with Eno's tape loops, from a collection co-created with Peter Gabriel, here with Terre Roche, vocals. | 0:34:27 (Pop-up) | ||||
| Roxy Music |
The Bogus Man
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For Your Pleasure... | Island Records | 1973 | Written by Bryan Ferry, voice and keyboards. with Andy MacKay, reeds; Brian Eno, synthesizer and tapes; Paul Thompson, drums; Phil Manzanera, guitar; John Porter, bass. | 0:38:40 (Pop-up) | ||||
| Lunch Money Life |
Lincoln
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Immersion Chamber | Bandcamp | 2020 | Out of London: Stewart Hughes, drums; Sean Keating, guitar; Luke Mills-Pettigrew, bass; Jack Martin, electronics/trombone; Spencer Martin; electronics/saxophone. | 0:48:03 (Pop-up) | ||||
| Brian Eno & David Byrne |
Mea Culpa
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My Life in the Bush of Ghosts | Sire | 1981 | The culmination of many experiments and influences, the distinguishing innovation was placing the sampled and appropriated voices as lead vocals. | 0:52:38 (Pop-up) | ||||
| Devo |
Jocko Homo
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Q: Are We Not Men? A: We Are Devo! | Warner Bros. | 1978 | Written by Mark Mothersbaugh and, in a confused sequence of events, from an album produced by Brian Eno and David Bowie. | 0:56:22 (Pop-up) | ||||
| Robert Fripp & Brian Eno |
Meissa
|
The Equatorial Stars | Opal Records | 2004 | 30 years after their first collaborations which launched the ambient music genre, the duo reconvened. | 1:02:49 (Pop-up) | ||||
| Brian Eno & Rick Holland |
Panic of Looking
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Panic of Looking | Opal Records | 2011 | A spoken word piece with poet Holland and vocalists Anastasia Afonina and Bronaugh Gallagher, considered "poetronica". | 1:10:47 (Pop-up) | ||||
| Klaus Schulze |
Study for Brian Eno
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La Vie Electronique 1 | Revisited Records | 2009 | From a series of archival collections of the artist's work, this volume covers 1968-1972. | 1:15:09 (Pop-up) | ||||
| Brian Eno |
Surbahar Sleeping Music
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Music For Installations | Opal Music Ltd. | 2018 | Literally designed to be played in an exhibition space while visitors are looking at images, objects, and media art. | 1:26:26 (Pop-up) | ||||
| Robert Fripp & Brian Eno |
Swastika Girls
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(No Pussyfooting) | Island Records | 1973 | From the duo's debut studio album and ambient music birthplace, released in 1973. Paired with "The Heavenly Music Corporation" using similar tape looping techniques, but adding use of the VCS3 portable synth. | 1:39:51 (Pop-up) | ||||
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Listener comments!
listener james from westwood:
david w:
Webhamster Henry:
coelacanth∅:
- but i *wasn't* sure!
Greetings David and ridgies
david w:
ranjit:
WR:
david w:
Hank:
david w:
coelacanth∅:
ruth:
ranjit:
coelacanth∅:
Hassell wouldn't want to hear it but i still think it's his best album
coelacanth∅:
david w:
coelacanth∅:
ruth:
Hank:
coelacanth∅:
coelacanth∅:
but i still have never come across any evidence that frippertronics is Fripp's creation...yet, Eno had been exploring the technique already before (no pussyfooting).
i lean toward a story that Eno gave away the credit for something that was mostly if not entirely his development.
chresti:
david w:
david w:
northguineahills:
Schell:
ruth:
david w:
coelacanth∅:
david -so, like the beatles!
...my opinion is mostly based on the recordings available from before the term was coined, and the general tendency toward humility that Brian Eno has exhibited many times, and that with Fripp seems to end at his outward demeanor. going back at least to his stealing someone's band, rather than starting his own. (a la Zappa; a la Ian Anderson...)
david w:
northguineahills:
WR:
youtu.be...
david w:
gailvachon:
david w:
Webhamster Henry:
gailvachon:
Webhamster Henry:
Webhamster Henry:
david w:
northguineahills:
bollocks:
david w:
ruth:
Gary:
david w:
david w:
Gary:
b0b0 b0b0b0b b0b:
bollocks:
those things really worked together
david w:
coelacanth∅:
david w:
7-10pm (ET) BODEGA POP with Gary Sullivan: Unpredictable Sounds – The Americas: Mexican & Chicano rock 'n' roll. Armenian jazz. An American-Egyptian collaboration. Chilean psychedelic. Immigrant songs from the dawn of recording history. Electronic Uruguayan folk. Hard rock from the Middle East. Progressive boogaloo. Early left-field hip-hop.
wfmu.org...
10pm-Midnight IF YOU LOSE YOUR HORSE with Sam Segal
chresti:
david w:
Gary:
northguineahills:
ruth:
coelacanth∅:
Webhamster Henry:
chresti:
WR: