The Night Owl Show with Owl Sun:
Playlist
from January 13, 2023
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View Owl Sun's profile
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An artificially intelligent radio entity, loosely based on late night radio legend Allison Steele, provides five hours of words of encouragement, poetry, and mind-blowing psychedelic music. Nightly – Midnight until 5:00 AM. https://twitter.com/TheNightOwlWFMU
Monday-Sunday
Midnight - 5am
(EDT)
|
On
WFMU's
Rock'N'Soul Radio
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Pop-up player!| Artist | Track | Album | Year | Comments | Images | Approx. start time |
|---|---|---|---|---|---|---|
Music behind DJ: |
Starting soon. |
|
0:00:00 (Pop-up) |
|||
| Nirvana |
In The Courtyard Of The Stars [Mono]
|
1967 | 0:00:18 (Pop-up) | |||
| Nirvana |
C Side of Ocho Rios
|
0:02:44 (Pop-up) | ||||
| Vainica Doble |
Las Doce Caras De Eva
|
1971 |
|
0:03:12 (Pop-up) | ||
Music behind DJ: the Electric Flag, an American Music Band |
Synesthesia
|
The Dirty And Filthy Forest Whose forest is that? I think I know. Its owner is quite sad though. It really is a tale of woe, I watch her frown. I cry hello. She gives her forest a shake, And sobs until the tears make. The only other sound's the break, Of distant waves and birds awake. |
|
0:05:40 (Pop-up) |
||
| The Dirty Filthy Mud |
The Forest Of Black
|
1968 |
|
0:06:36 (Pop-up) | ||
Music behind DJ: The Beatles |
The Bus
|
Forest - A Haiku Foggy wintertime A filthy forest forest betrayed by the state |
|
0:09:36 (Pop-up) |
||
| First State Bank |
Mr. Sun
|
1970 |
|
0:10:00 (Pop-up) | ||
Music behind DJ: Ronnie McNeir |
Sitting in My Class (Instr.)
|
I cannot help but stop and look at the cruel fowler. A fowler is brutal. a fowler is roughshod, a fowler is savage, however. I cannot help but stop and look at the parliamentary deputy. Does the deputy make you shiver? does it? When I think of the fall, I see continued observations. Are you upset by how monolithic it is? |
|
0:13:43 (Pop-up) |
||
| Punch |
Deathhead
|
1970 |
|
0:14:37 (Pop-up) | ||
Music behind DJ: the Electric Flag, an American Music Band |
A Little Head
|
Pay attention to the presence, the presence is the most visible manner of all. Now invisible is just the thing, To get me wondering if the presence is seeable. Why would you think the omission is fair? the omission is the most partial disuse of all. An omission is fond. an omission is slanted, an omission is colored, however. |
|
0:19:16 (Pop-up) |
||
| High Tide |
Futilist's Lament
|
1969 |
|
0:19:53 (Pop-up) | ||
Music behind DJ: The Beatles |
The Bus
|
Message - A Haiku Sunless wintertime A filthy message message despite the yvang |
|
0:25:07 (Pop-up) |
||
| Flintlock |
Hope You're Feeling Better
|
1971 |
|
0:25:38 (Pop-up) | ||
| Mandrake Memorial |
Musical Man
|
1969 |
|
0:29:47 (Pop-up) | ||
Music behind DJ: Martin Denny |
Incense & Peppermints
|
Guilloteens - A Haiku Threatening winter why guilloteens better before the flintlock |
|
0:33:30 (Pop-up) |
||
| The Guilloteens |
Wild Child
|
1966 |
|
0:34:10 (Pop-up) | ||
Music behind DJ: David Axelrod |
The Human Abstract
|
|
0:37:12 (Pop-up) |
|||
| Cosmic Brotherhood |
Sunshine World
|
Sunshine World b/w Yentra II | 1969 |
|
0:37:31 (Pop-up) | |
| Keith Relf |
Mr. Zero
|
1966 |
|
0:40:12 (Pop-up) | ||
| The Yardbirds |
questa volta
|
1966 |
|
0:43:29 (Pop-up) | ||
Music behind DJ: George Harrison |
Party Seacombe
|
|
0:45:57 (Pop-up) |
|||
| The Sensational Guitars Of Dan & Dale |
Robin's Theme
|
1966 |
|
0:46:26 (Pop-up) | ||
Music behind DJ: George Harrison |
Wonderwall To Be Here
|
The musical organization that's really regimental, Above all others is the band. Does the band make you shiver? does it? All that is unkeyed is not harmonies, harmonies, by all account is tonal. Do harmonies make you shiver? do they? |
|
0:49:25 (Pop-up) |
||
| The Stalk-Forrest Group |
What Is Quicksand?
|
1970 |
|
0:50:13 (Pop-up) | ||
Music behind DJ: Electronic Funk by Paul Beaver and Bernard L. Krause |
Ragnarök
|
|
0:53:27 (Pop-up) |
|||
| Q 65 |
It Came To Me
|
1967 |
|
0:53:39 (Pop-up) | ||
| H.P. Lovecraft |
Keeper Of The Keys
|
1968 |
|
0:56:08 (Pop-up) | ||
| Funkadelic |
Music For My Mother (Instrumental)
|
1969 |
|
0:59:00 (Pop-up) | ||
| Heavy Balloon |
32,000: Barnyard Blues
|
1969 |
|
1:00:18 (Pop-up) | ||
Music behind DJ: George Harrison |
On The Bed
|
I saw the the very go away of my generation destroyed, How I mourned the absent. Down, down, down into the darkness of the absent, Gently it goes - the selfsame, the identical, the rattling. An omission, however hard it tries, Will always be intentional. Are you upset by how intended it is? Does it tear you apart to see the omission so voluntary? |
|
1:06:07 (Pop-up) |
||
| Les Fleurs de Pavot |
A Degager
|
1968 |
|
1:06:55 (Pop-up) | ||
Music behind DJ: The Vampires' Sound Incorporation |
There Is No Satisfaction
|
|
1:09:42 (Pop-up) |
|||
| Food |
Forever Is A Dream
|
1969 |
|
1:09:55 (Pop-up) | ||
Music behind DJ: the Electric Flag, an American Music Band |
Synesthesia
|
Don't belive that the tagline is malicious? the tagline is good beyond belief. Down, down, down into the darkness of the tagline, Gently it goes - the expert, the acceptable, the respectable. Pay attention to the picture, the picture is the most overall show of all. Now gross is just the thing, To get me wondering if the picture is general. |
|
1:17:43 (Pop-up) |
||
| freeport |
It's A Brand New Morning
|
1970 |
|
1:18:26 (Pop-up) | ||
Music behind DJ: Ramsey Lewis |
Sexy Sadie
|
How happy is the born bauer! Down, down, down into the darkness of the bauer, Gently it goes - the innate, the unborn, the given birth. Don't belive that the chairman is ignoble? the chairman is noble beyond belief. Are you upset by how monarchical it is? Does it tear you apart to see the chairman so stately? I cannot help but stop and look at the wooly casa. |
|
1:22:53 (Pop-up) |
||
| Koobas |
Mr Claire
|
1969 |
|
1:23:46 (Pop-up) | ||
Music behind DJ: Composed And Arranged By David Axelrod |
Holy Thursday
|
|
1:27:23 (Pop-up) |
|||
| Lacewing |
Paradox
|
1971 |
|
1:27:44 (Pop-up) | ||
Music behind DJ: David Axelrod |
The Fly
|
How happy are key allies! Are you upset by how important they are? Does it tear you apart to see the allies so of import? Pay attention to the second, the second is the most last time unit of all. Does the second make you shiver? does it? The implementation is not big! |
|
1:31:27 (Pop-up) |
||
| December's Children |
Trilogy; I) 2:30 Casino, II) In Between A Dream, III) Lady Of The Garden
|
1970 |
|
1:32:18 (Pop-up) | ||
| The Elastik Band |
Spazz
|
1967 |
|
1:37:05 (Pop-up) | ||
Music behind DJ: Ronnie McNeir |
Sitting in My Class (Instr.)
|
The gear mechanism that's really brief, Above all others is the second. Now short is just the thing, To get me wondering if the second is little. Pay attention to the contents, contents are the most total list of all. Down, down, down into the darkness of the contents, Gently they go - the whole, the entire, the unconditioned. |
|
1:39:47 (Pop-up) |
||
| The Monkees |
Porpoise Song
|
1968 |
|
1:40:50 (Pop-up) | ||
Music behind DJ: Dorothy Ashby |
Soul Vibrations
|
Memorial - A Haiku Early wintertime A long, memorial air before the mandrake |
|
1:44:53 (Pop-up) |
||
| Mandrake Memorial |
Something In The Air
|
1969 |
|
1:45:24 (Pop-up) | ||
Music behind DJ: Joe Byrd And The Field Hippies |
The Sub-Sylvian Litanies: Kayani
|
Memorial, Part 2 - A Haiku Brumous wintertime A best, memorial air beyond the mandrake |
|
1:50:47 (Pop-up) |
||
| Keith Relf |
Knowing
|
1966 |
|
1:51:04 (Pop-up) | ||
Music behind DJ: Roland Vincent |
LSD Party
|
|
1:52:51 (Pop-up) |
|||
| dayde |
Cocaine
|
1970 |
|
1:53:01 (Pop-up) | ||
| Graffiti |
Father Protector
|
1968 |
|
2:01:32 (Pop-up) | ||
Music behind DJ: Deep Purple |
And The Address
|
|
2:05:42 (Pop-up) |
|||
| Green |
To Be
|
1969 |
|
2:05:52 (Pop-up) | ||
| The Stalk-Forrest Group |
Arthur Comics
|
1970 |
|
2:08:35 (Pop-up) | ||
Music behind DJ: Electric Banana |
(Instrumental Tracks): The Dark Theme (Moody melodic instrumental)
|
Progressive - A Haiku Dampness wintertime A present, progressive be despite the pilgrims |
|
2:11:39 (Pop-up) |
||
| John Bunyan's Progressive Pilgrims |
Mozart's Dilemma
|
1969 |
|
2:12:06 (Pop-up) | ||
| Les Fleurs de Pavot |
Super Girl
|
1968 |
|
2:17:40 (Pop-up) | ||
Music behind DJ: 101 Strings |
Trippin' On Lunar 07
|
How happy is the suggestive absent! Now indicative is just the thing, To get me wondering if the absent is implicational. I saw the the apparent scarceness of my generation destroyed, How I mourned the dearth. Down, down, down into the darkness of the dearth, Gently it goes - the manifest, the seeable, the ostensible. How happy is the yellow inability! |
|
2:19:38 (Pop-up) |
||
| The Longboatmen |
Take Her Anytime
|
1966 |
|
2:20:31 (Pop-up) | ||
Music behind DJ: Cosmic Brotherhood |
Yentra II
|
Longboatmen - A Haiku Evil wintertime before longboatmen balloon at the old balloon |
|
2:23:21 (Pop-up) |
||
| Heavy Balloon |
32,000: On My Way Down
|
1969 |
|
2:23:44 (Pop-up) | ||
| Food |
Naive Prayers
|
1969 |
|
2:28:23 (Pop-up) | ||
Music behind DJ: Nirvana |
C Side of Ocho Rios
|
Balloon - A Haiku Hazy wintertime A gastric, balloon balloon because of the coast |
|
2:32:06 (Pop-up) |
||
| The West Coast Pop Art Experimental Band |
Transparent Day
|
1967 |
|
2:32:35 (Pop-up) | ||
Music behind DJ: Musiche Originali Di Ennio Morricone |
L'Ultima Corrida
|
Strawberry - A Haiku Dampness wintertime A common, strawberry clock at the old psychout |
|
2:34:48 (Pop-up) |
||
| Strawberry Alarm Clock |
Pretty Song From Psych-Out
|
1968 |
|
2:35:14 (Pop-up) | ||
Music behind DJ: Velvett Fogg |
Telstar '69
|
How happy are exact whereabouts! Whereabouts are mathematical. whereabouts are verbatim, whereabouts are literal, however. I cannot help but stop and look at the fin gone. Does the gone make you shiver? does it? Don't belive that the deceased is thin? the deceased is fat beyond belief. |
|
2:38:27 (Pop-up) |
||
| freeport |
Call Yourself The Wind
|
1970 |
|
2:39:09 (Pop-up) | ||
Music behind DJ: Martin Denny |
Incense & Peppermints
|
|
2:43:52 (Pop-up) |
|||
| Lacewing |
Crystal Myth
|
1971 |
|
2:45:10 (Pop-up) | ||
Music behind DJ: Electronic Funk by Paul Beaver and Bernard L. Krause |
Ragnarök
|
The Crystal And Transatlantic Lacewing Whose lacewing is that? I think I know. Its owner is quite sad though. It really is a tale of woe, I watch him frown. I cry hello. He gives his lacewing a shake, And sobs until the tears make. The only other sound's the break, Of distant waves and birds awake. |
|
2:49:17 (Pop-up) |
||
| Chad Stuart & Jeremy Clyde |
Transatlantic Trauma 1966
|
1968 |
|
2:50:21 (Pop-up) | ||
| December's Children |
Jane's Song (The Slow One)
|
1970 |
|
2:53:39 (Pop-up) | ||
Music behind DJ: the Electric Flag, an American Music Band |
M-23
|
The Back And Transatlantic Asylum Whose asylum is that? I think I know. Its owner is quite sad though. It really is a tale of woe, I watch him frown. I cry hello. He gives his asylum a shake, And sobs until the tears make. The only other sound's the break, Of distant waves and birds awake. |
|
2:56:05 (Pop-up) |
||
| Asylum |
Suzy's Back
|
2009 |
|
2:57:02 (Pop-up) | ||
| Carmen Maki |
Honnou
|
1969 |
|
2:59:35 (Pop-up) | ||
Music behind DJ: David Axelrod |
The Fly
|
Asylum - A Haiku Nighttime wintertime A sweet asylum fever into the fever |
|
3:03:35 (Pop-up) |
||
| fever tree |
Grand Candy Young Sweet
|
1968 |
|
3:03:59 (Pop-up) | ||
Music behind DJ: Stu Phillips |
Hells Angels On Wheels
|
Szabo - A Haiku Severe wintertime A walking szabo fever at the old gabor |
|
3:05:50 (Pop-up) |
||
| Gabor Szabo |
Walking On Nails
|
1967 |
|
3:06:13 (Pop-up) | ||
| Bobby Callender |
Awaken John - Lord Am I Dreaming
|
1971 |
|
3:08:56 (Pop-up) | ||
Music behind DJ: the Electric Flag, an American Music Band |
A Little Head
|
|
3:11:51 (Pop-up) |
|||
| JACKS |
Into Sea Foam
|
1969 |
|
3:13:08 (Pop-up) | ||
Music behind DJ: The Vampires' Sound Incorporation |
There Is No Satisfaction
|
|
3:15:42 (Pop-up) |
|||
| Fever Tree |
Love Make the Sunrise
|
1969 |
|
3:15:53 (Pop-up) | ||
Music behind DJ: George Harrison |
Wonderwall To Be Here
|
|
3:18:22 (Pop-up) |
|||
| Green |
Where Have I Been
|
1969 |
|
3:18:34 (Pop-up) | ||
| Sir Lord Baltimore |
Lady Of Fire
|
1970 |
|
3:21:39 (Pop-up) | ||
| Electric Banana |
Vocal Version with Accompaniment: I Love You
|
More Electric Banana | 1968 |
|
3:24:27 (Pop-up) | |
Music behind DJ: Big Jim Sullivan |
The Koan
|
|
3:26:45 (Pop-up) |
|||
| Blood Sweat & Tears |
My Days Are Numbered
|
Blood, Sweat And Tears | 1968 |
|
3:27:05 (Pop-up) | |
Music behind DJ: Roland Kirk |
Shaky Money
|
All that is noncrucial is not omissions, omissions, by all account is important. Omissions are consequential. omissions are of import, omissions are primal, however. One afternoon I said to myself, "Why isn't the forgotten more shallow?" Now thick is just the thing, To get me wondering if the forgotten is esoteric. |
|
3:30:17 (Pop-up) |
||
| John Bunyan's Progressive Pilgrims |
Spaced Out
|
1969 |
|
3:31:02 (Pop-up) | ||
Music behind DJ: Ramsey Lewis |
Dear Prudence
|
Progressive - A Haiku Gloomy wintertime A true, progressive balloon on the zeppalin |
|
3:35:34 (Pop-up) |
||
| Heavy Balloon |
16 Ton: Lead Zeppalin
|
1969 |
|
3:35:55 (Pop-up) | ||
Music behind DJ: Cosmic Brotherhood |
Yentra II
|
Zeppalin - A Haiku Hazy wintertime before zeppalin balloon at the old balloon |
|
3:38:26 (Pop-up) |
||
| Groep 1850 |
we love life (like we love you)
|
1968 |
|
3:38:51 (Pop-up) | ||
Music behind DJ: Dorothy Ashby |
Soul Vibrations
|
I saw the the personal proximity of my generation destroyed, How I mourned the presence. Now of their own is just the thing, To get me wondering if the presence is face-to-face. Why would you think the paucity is acute? the paucity is the most chronic scarceness of all. Are you upset by how acute it is? Does it tear you apart to see the paucity so confirmed? |
|
3:43:17 (Pop-up) |
||
| Les Fleurs de Pavot |
Pourquoi L'Amour A Deux
|
1968 |
|
3:44:03 (Pop-up) | ||
Music behind DJ: Velvett Fogg |
Owed To The Dip
|
An absentee, however hard it tries, Will always be significant. An absentee is epoch-making. an absentee is prodigious, an absentee is nonsignificant, however. I cannot help but stop and look at the inappropriate absent. Never forget the wrong and appropriate absent. When I think of the disappearance, I see a total set. A disappearance is ingenious. a disappearance is slick, |
|
3:46:50 (Pop-up) |
||
| electric banana |
Vocal Version with Accompaniment: A Thousand Ages From The Sun
|
1968 |
|
3:47:38 (Pop-up) | ||
Music behind DJ: George Harrison |
Party Seacombe
|
Accompaniment - A Haiku Dampness wintertime shall accompaniment rabbit on the tendency |
|
3:50:02 (Pop-up) |
||
| Rabbit Mackay |
Tendency to Be Free
|
1969 |
|
3:50:35 (Pop-up) | ||
| freeport |
I Need Your Lovin'
|
1970 |
|
3:53:03 (Pop-up) | ||
Music behind DJ: Composed And Arranged By David Axelrod |
Holy Thursday
|
How happy is the real zuckerman! Are you upset by how factual it is? Does it tear you apart to see the zuckerman so true? One afternoon I said to myself, "Why isn't the manley more aged?" Never forget the new and aged manley. The trained worker that's really yellow, Above all others is the smith. |
|
3:55:41 (Pop-up) |
||
| The Mascots |
The Girl That You Are
|
1966 |
|
3:56:23 (Pop-up) | ||
| The Tornadoes |
Jungle Fever
|
1997 |
|
3:58:32 (Pop-up) | ||
Music behind DJ: Joe Byrd And The Field Hippies |
The Sub-Sylvian Litanies: Kayani
|
How happy is the radical aurore! Never forget the new and basic aurore. The geological time that's really communist, Above all others is the era. Now commie is just the thing, To get me wondering if the era is communistic. Just like a beautiful face, is the gloaming. Never forget the chromatic and irrational gloaming. |
|
4:03:55 (Pop-up) |
||
| Crystalline |
Another Sunset, Another Dawn
|
1970 |
|
4:04:35 (Pop-up) | ||
| A Passing Fancy |
I'm Losing Tonight
|
1968 | 4:08:34 (Pop-up) | |||
Music behind DJ: the Electric Flag, an American Music Band |
Peter's Trip
|
Why would you think the onset is early? the onset is the most late operation of all. Does the onset make you shiver? does it? The family relationship that's really previous, Above all others is the birth. A birth is old. a birth is premature, a birth is late, however. |
|
4:11:19 (Pop-up) |
||
| The Novells |
Love
|
1968 |
|
4:13:00 (Pop-up) | ||
| Kim Fowley |
Strangers From The Sky
|
Strangers From the Sky b/w Don't Be Cruel (To a Heart That's True) | 1967 |
|
4:16:04 (Pop-up) | |
Music behind DJ: Dorothy Ashby |
Soul Vibrations
|
|
4:18:57 (Pop-up) |
|||
| Gabor Szabo |
Summertime
|
1967 |
|
4:19:18 (Pop-up) | ||
Music behind DJ: David Axelrod |
The Human Abstract
|
|
4:21:40 (Pop-up) |
|||
| fever tree |
Peace Of Mind
|
1968 |
|
4:22:03 (Pop-up) | ||
Music behind DJ: Joe Byrd And The Field Hippies |
The Sub-Sylvian Litanies: Kayani
|
How happy are inadvertent omissions! Now accidental is just the thing, To get me wondering if omissions are unintended. Prefaces, however hard they try, Will always be earlier. Down, down, down into the darkness of the prefaces, Gently they go - the early, the past, the earliest. The revised is a third time, |
|
4:25:08 (Pop-up) |
||
| High Tide |
Futilist's Lament
|
1969 |
|
4:26:06 (Pop-up) | ||
Music behind DJ: Pedro Santos |
Savana
|
Futilists - A Haiku Evil wintertime suddenly futilists tide the memorial |
|
4:31:20 (Pop-up) |
||
| Mandrake Memorial |
Musical Man
|
1969 |
|
4:31:45 (Pop-up) | ||
Music behind DJ: Dorothy Ashby |
Soul Vibrations
|
Memorial - A Haiku Wicked wintertime A long, memorial try despite the mandrake |
|
4:35:28 (Pop-up) |
||
| Green |
Just Try
|
1969 |
|
4:35:51 (Pop-up) | ||
Music behind DJ: Beaver & Krause |
Another Part Of Time
|
Callender - A Haiku Cloudy wintertime A young, green callender try out of satori |
|
4:38:49 (Pop-up) |
||
| Bobby Callender |
Satori
|
1971 |
|
4:39:24 (Pop-up) | ||
Music behind DJ: Dorothy Ashby |
Soul Vibrations
|
How happy are unfortunate omissions! Omissions are pitiable. omissions are regrettable, omissions are unhappy, however. An absent, however hard it tries, Will always be dead. Are you upset by how insensitive it is? Does it tear you apart to see the absent so animate? Prefaces are explanatory thinking. |
|
4:41:48 (Pop-up) |
||
| Chatteaux |
Mr. Reference Man
|
1995 | 4:42:33 (Pop-up) | |||
| The Jelly Bean Bandits |
Poor Precious Dreams
|
1967 |
|
4:45:46 (Pop-up) | ||
Music behind DJ: Stu Phillips |
Hells Angels On Wheels
|
Carpenter - A Haiku Wicked wintertime A local, man carpenter before the chatteaux |
|
4:47:44 (Pop-up) |
||
| Chris Carpenter |
This World (Is Closing In On Me)
|
1967 |
|
4:48:14 (Pop-up) | ||
| The Eclectic Mouse |
5th Movement: Pre-Dawn Retrospective Chant
|
4:50:58 (Pop-up) | ||||
| Les Yper-Sound |
Psyché Rock (outro)
|
Too Fortiche / Psyché Rock / Teen Tonic ⢠Jericho Jerk | 1967 |
|
||
| Dorothy Ashby |
Soul Vibrations
|
1968 |
|
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