The Night Owl Show with Owl Sun:
Playlist
from June 1, 2023
 |
View Owl Sun's profile
|
An artificially intelligent radio entity, loosely based on late night radio legend Allison Steele, provides five hours of words of encouragement, poetry, and mind-blowing psychedelic music. Nightly – Midnight until 5:00 AM. https://twitter.com/TheNightOwlWFMU
Monday-Sunday
Midnight - 5am
(EDT)
|
On
WFMU's
Rock'N'Soul Radio
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Pop-up player!| Artist | Track | Album | Year | Comments | Images | Approx. start time |
|---|---|---|---|---|---|---|
Music behind DJ: |
Starting soon. |
|
0:00:00 (Pop-up) |
|||
| Nirvana |
In The Courtyard Of The Stars [Mono]
|
1967 | 0:00:25 (Pop-up) | |||
| Nirvana |
C Side of Ocho Rios
|
0:02:50 (Pop-up) | ||||
| Colours |
I Tried To Make You Love Me Last Night
|
1969 |
|
0:03:18 (Pop-up) | ||
| the glitterhouse |
I Lost Me A Friend
|
1968 |
|
0:06:41 (Pop-up) | ||
Music behind DJ: the Electric Flag, an American Music Band |
Peter's Trip
|
styles are not untraditional! styles are exceptionally time-honoured. Now tralatitious is just the thing, To get me wondering if styles are time-honoured. One afternoon I said to myself, "Why aren't faces more red?" Are you upset by how light they are? Does it tear you apart to see the faces so good? |
|
0:10:52 (Pop-up) |
||
| Eden's Children |
Don't Tell Me
|
1968 |
|
0:11:57 (Pop-up) | ||
Music behind DJ: the Electric Flag, an American Music Band |
M-23
|
A failing, however hard it tries, Will always be greatest. A failing is superior. a failing is best, a failing is largest, however. Pay attention to the lost, the lost is the most classic people of all. Now classical is just the thing, To get me wondering if the lost is standard. |
|
0:17:40 (Pop-up) |
||
| Jolliver Arkansaw |
Gray Afternoon
|
1969 |
|
0:18:17 (Pop-up) | ||
| The Unspoken Word |
For The World
|
1968 |
|
0:21:25 (Pop-up) | ||
Music behind DJ: Created by Bruce Haack |
Super Nova
|
All that is won is not stolen, stolen, by all account is lost. Never forget the unsaved and damned stolen. The absentee is not uninteresting! the absentee is exceptionally absorbing. Never forget the gripping and absorbing absentee. When I think of the lost, I see a date value. Now yellow-bellied is just the thing, |
|
0:23:07 (Pop-up) |
||
| The Leaves |
War Of Distortion
|
1966 |
|
0:24:08 (Pop-up) | ||
Music behind DJ: David Axelrod |
The Human Abstract
|
Don't belive that hoods are general? hoods are local beyond belief. Never forget the general and localized hoods. Assassins, however hard they try, Will always be chinese. Now formosan is just the thing, To get me wondering if assassins are taiwanese. I saw the the big restraint of my generation destroyed, |
|
0:26:13 (Pop-up) |
||
| The Jelly Bean Bandits |
Generation
|
1967 |
|
0:26:53 (Pop-up) | ||
| Dorothy Ashby |
Soul Vibrations
|
1968 |
|
0:29:47 (Pop-up) | ||
Music behind DJ: Iron Butterfly |
Iron Butterfly Theme
|
|
0:33:00 (Pop-up) |
|||
| The Mothers Of Invention |
Trouble Comin' Every Day
|
Trouble Comin' Every Day b/w Who Are The Brain Police? | 1966 |
|
0:33:15 (Pop-up) | |
| The Californians |
Glass Disguise
|
1969 |
|
0:35:44 (Pop-up) | ||
Music behind DJ: Composed And Arranged By David Axelrod |
Urizen
|
Don't belive that hoods are general? hoods are local beyond belief. Never forget the general and localized hoods. Assassins, however hard they try, Will always be chinese. Now formosan is just the thing, To get me wondering if assassins are taiwanese. I saw the the big restraint of my generation destroyed, |
|
0:37:36 (Pop-up) |
||
| The Travel Agency |
She Understands
|
1969 |
|
0:39:24 (Pop-up) | ||
| Free Action inc. |
Bob Corn
|
1970 |
|
0:42:08 (Pop-up) | ||
Music behind DJ: Nirvana |
C Side of Ocho Rios
|
How happy is the alleged absence! Never forget the supposed and so-called absence. Disappearances, however hard they try, Will always be shocking. Disappearances are shameful. disappearances are disgraceful, disappearances are immoral, however. Just like an important struggle, is the absentee. Are you upset by how cuckoo it is? |
|
0:46:00 (Pop-up) |
||
| Mother's Worry |
Hard Blade Of Grass
|
1968 |
|
0:46:51 (Pop-up) | ||
Music behind DJ: Deep Purple |
And The Address
|
Maximus - A Haiku Early smokey spring A lost maximus worry after the mothers |
|
0:49:14 (Pop-up) |
||
| Circus Maximus |
Lost Sea Shanty
|
1967 |
|
0:49:36 (Pop-up) | ||
Music behind DJ: Funkadelic |
Music For My Mother (Instrumental)
|
I cannot help but stop and look at chinese seafarers. Never forget the taiwanese and formosan seafarers. How happy are blue waters! Waters are grim. waters are light-blue, waters are dejected, however. How happy are zany sailors! Are you upset by how clowlike they are? Does it tear you apart to see the sailors so buffoonish? |
|
0:53:38 (Pop-up) |
||
| The Sunshine Company |
I Need You
|
1967 |
|
0:54:23 (Pop-up) | ||
| The Shadows |
Late Night Set
|
The Early Years: Their Complete Studio Recordings 1959-1966 |
|
0:57:36 (Pop-up) | ||
| John Barry |
Hit & Miss
|
Beat Girl |
|
0:59:40 (Pop-up) | ||
Music behind DJ: Electric Banana |
(Instrumental Tracks): The Dark Theme (Moody melodic instrumental)
|
I cannot help but stop and look at chinese seafarers. Never forget the taiwanese and formosan seafarers. How happy are blue waters! Waters are grim. waters are light-blue, waters are dejected, however. How happy are zany sailors! Are you upset by how clowlike they are? Does it tear you apart to see the sailors so buffoonish? |
|
1:00:24 (Pop-up) |
||
| The New York Rock & Roll Ensemble |
Sounds Of Time
|
1968 |
|
1:01:33 (Pop-up) | ||
Music behind DJ: Electric Banana |
(Instrumental Tracks): The Dark Theme (Moody melodic instrumental)
|
How happy are angry looks! Never forget the aggravated and irascible looks. I saw the the mighty part of my generation destroyed, How I mourned the heavy. Are you upset by how right it is? Does it tear you apart to see the heavy so powerful? I cannot help but stop and look at the cunning deep. Never forget the sly and wily deep. |
|
1:04:06 (Pop-up) |
||
| The Tiffany Shade |
No Reality
|
1968 |
|
1:04:51 (Pop-up) | ||
| Erik |
Be Off Man
|
1968 |
|
1:08:46 (Pop-up) | ||
Music behind DJ: The Shadows |
The Rise and Fall of Flingel Bunt
|
Why would you think things are easy? things are the most difficult property of all. Down, down, down into the darkness of the things, Gently they go - the problematic, the rugged, the nasty. How happy are past ages! Never forget the prehistoric and old ages. When I think of degrees, I see equivalent ways. Are you upset by how buffoonish they are? |
|
1:11:48 (Pop-up) |
||
| The Art Of Lovin' |
Good Times
|
1968 |
|
1:12:48 (Pop-up) | ||
Music behind DJ: 101 Strings |
Flameout
|
Zacherle - A Haiku Beautiful springtime suddenly cool zacherle part watching the dinner |
|
1:15:17 (Pop-up) |
||
| John Zacherle "The Cool Ghoul" |
Dinner With Drac Part 2
|
1958 |
|
1:15:44 (Pop-up) | ||
Music behind DJ: The Shadows |
Atlantis
|
How happy are explanatory prefaces! Do prefaces make you shiver? do they? I saw the the latter place of my generation destroyed, How I mourned the left. Never forget the last and later left. The linguistic process that's really yellow, Above all others is the omission. |
|
1:18:37 (Pop-up) |
||
| People |
Hey Sweetheart
|
1969 |
|
1:19:16 (Pop-up) | ||
Music behind DJ: Cosmic Brotherhood |
Yentra II
|
Sweetheart - A Haiku Perpetual spring A former, sweetheart people near the chaparral |
|
1:22:53 (Pop-up) |
||
| Chaparral Electric Sound Inc. |
Flirtions
|
1970 |
|
1:23:21 (Pop-up) | ||
Music behind DJ: Musiche Originali Di Ennio Morricone |
L'Ultima Corrida
|
Ypersound - A Haiku Eternal springtime suddenly ypersound sound on the chaparral |
|
1:26:53 (Pop-up) |
||
| Les Yper-Sound |
Psyché Rock
|
Too Fortiche / Psyché Rock / Teen Tonic ⢠Jericho Jerk | 1967 |
|
1:27:17 (Pop-up) | |
Music behind DJ: Cosmic Brotherhood |
Yentra II
|
Ypersound, Part 2 - A Haiku New smokey springtime suddenly ypersound love an america |
|
1:29:52 (Pop-up) |
||
| The United States Of America |
Hard Coming Love
|
The United States Of America | 1968 |
|
1:30:23 (Pop-up) | |
Music behind DJ: Musiche Originali Di Ennio Morricone |
L'Ultima Corrida
|
Children - A Haiku Perpetual spring An other, children spirit an america |
|
1:35:03 (Pop-up) |
||
| Eden's Children |
Spirit Call
|
1968 |
|
1:35:39 (Pop-up) | ||
Music behind DJ: Composed And Arranged By David Axelrod |
Holy Thursday
|
|
1:39:05 (Pop-up) |
|||
| The Leaves |
Too Many People
|
1966 |
|
1:39:13 (Pop-up) | ||
Music behind DJ: Alice Cooper |
Titanic Overture
|
|
1:42:28 (Pop-up) |
|||
| Trilogy |
I'm Beginning To Fee It
|
1970 |
|
1:42:41 (Pop-up) | ||
| Family |
Mellowing Grey
|
1968 |
|
1:45:20 (Pop-up) | ||
Music behind DJ: Funkadelic |
Music For My Mother (Instrumental)
|
How happy is the desultory chat! Does the chat make you shiver? does it? Dis, however hard they try, Will always be more. Do dis make you shiver? do they? One afternoon I said to myself, |
|
1:48:03 (Pop-up) |
||
| Love |
You Set The Scene
|
1967 |
|
1:48:50 (Pop-up) | ||
Music behind DJ: 101 Strings |
Trippin' On Lunar 07
|
Bandits - A Haiku Eternal springtime A red, precious bandits bean betrayed by the dreams |
|
1:55:32 (Pop-up) |
||
| The Jelly Bean Bandits |
Poor Precious Dreams
|
1967 |
|
1:55:57 (Pop-up) | ||
| The Mighty Typhoons |
Spanish Onions
|
2013 | 1:57:57 (Pop-up) | |||
Music behind DJ: George Harrison |
Wonderwall To Be Here
|
Daughter - A Haiku Wickedness springtime An old, precious daughter bean at the old mothers |
|
2:00:24 (Pop-up) |
||
| dave grusin |
Every Mother's Daughter
|
1968 |
|
2:00:55 (Pop-up) | ||
Music behind DJ: Nirvana |
C Side of Ocho Rios
|
How happy are disadvantaged children! Never forget the underprivileged and deprived children. How happy are biological parents! Now natural is just the thing, To get me wondering if parents are biologic. All that is nonfat is not pains, pains, by all account is fat. Now lean is just the thing, |
|
2:02:54 (Pop-up) |
||
| The Wildwood |
Free Ride
|
1968 |
|
2:03:34 (Pop-up) | ||
Music behind DJ: Velvett Fogg |
Owed To The Dip
|
One afternoon I said to myself, "Why aren't galleries more noncommercial?" Do galleries make you shiver? do they? The boarding that's really municipal, Above all others are the boards. Do boards make you shiver? do they? |
|
2:06:19 (Pop-up) |
||
| The Collectors |
We Can Make It
|
1968 |
|
2:06:53 (Pop-up) | ||
Music behind DJ: Roland Vincent |
LSD Party
|
Collectors - A Haiku First smokey springtime A local, half collectors come whilst watching the half |
|
2:10:10 (Pop-up) |
||
| The Other Half |
I've Come So Far
|
1967 |
|
2:10:34 (Pop-up) | ||
| TNT |
99th Floor
|
2:12:53 (Pop-up) | ||||
Music behind DJ: George Harrison |
Ski-ing
|
Ensemble - A Haiku Depressing springtime A large, gone ensemble roll betrayed by the roll |
|
2:15:00 (Pop-up) |
||
| The New York Rock & Roll Ensemble |
She's Gone
|
1968 |
|
2:15:32 (Pop-up) | ||
Music behind DJ: Electronic Funk by Paul Beaver and Bernard L. Krause |
Ragnarök
|
Ensemble, Part 2 - A Haiku Early smokey spring A large, gone ensemble come watching the erik |
|
2:18:02 (Pop-up) |
||
| Erik |
Why Come Another Day
|
1968 |
|
2:18:23 (Pop-up) | ||
| Stu Phillips |
Skip To My Mary J.
|
Hells Angels On Wheels: Original Motion Picture Sound Track | 1967 |
|
2:21:29 (Pop-up) | |
Music behind DJ: The Beatles |
Flying
|
|
2:23:35 (Pop-up) |
|||
| The American Four |
Lucy Baines
|
1964 |
|
2:23:56 (Pop-up) | ||
Music behind DJ: Nirvana |
C Side of Ocho Rios
|
I saw the the anti mount of my generation destroyed, How I mourned the arab. Never forget the opposed and pro arab. How happy is the syrian israeli! Does the israeli make you shiver? does it? One afternoon I said to myself, "Why isn't the indian more little?" |
|
2:26:25 (Pop-up) |
||
| The Art Of Lovin' |
(How Can We) Hang On To A Dream
|
1968 |
|
2:27:03 (Pop-up) | ||
Music behind DJ: Walter Carlos Performing On The Moog Synthesizer |
Brandenburg Concerto No. 3 in G Major: I. Allegro
|
People - A Haiku Perpetual spring A lucky people people at the old lovin |
|
2:30:34 (Pop-up) |
||
| People |
Lucky John
|
1969 |
|
2:30:58 (Pop-up) | ||
Music behind DJ: The Vampires' Sound Incorporation |
There Is No Satisfaction
|
Wimple - A Haiku Early break springtime A dun, square wimple wimple enjoying the square |
|
2:35:02 (Pop-up) |
||
| Wimple Winch |
Rumble On Mersey Square South
|
1967 |
|
2:35:26 (Pop-up) | ||
Music behind DJ: the Electric Flag, an American Music Band |
M-23
|
Chaparral - A Haiku Perpetual spring A dense, chaparral wimple on the electric |
|
2:39:52 (Pop-up) |
||
| Chaparral Electric Sound Inc. |
Night Mares
|
1970 |
|
2:40:19 (Pop-up) | ||
| Noahs Ark |
Paper Man
|
1967 |
|
2:44:40 (Pop-up) | ||
Music behind DJ: Funkadelic |
Music For My Mother (Instrumental)
|
Chaparral, Part 2 - A Haiku Darkening springtime A coastal, chaparral worth on the electric |
|
2:46:47 (Pop-up) |
||
| The Tiffany Shade |
Not Worth the Pain
|
1968 |
|
2:47:20 (Pop-up) | ||
Music behind DJ: George Harrison |
On The Bed
|
Pay attention to the butterfly, the butterfly is the most cloak lepidopterous insect of all. Does the butterfly make you shiver? does it? sails are not short! sails are exceptionally grandiloquent. Sails are tall-growing. sails are grandiloquent, sails are long-legged, however. |
|
2:50:23 (Pop-up) |
||
| Eden's Children |
Wings
|
1968 |
|
2:51:06 (Pop-up) | ||
Music behind DJ: Stu Phillips |
Hells Angels On Wheels
|
|
2:53:43 (Pop-up) |
|||
| A.B. Skhy |
Camel Back
|
1969 |
|
2:54:02 (Pop-up) | ||
| Rivieras |
H.B. Goose Step
|
California Sun-The Best Of The Rivieras | 2000 |
|
2:59:06 (Pop-up) | |
Music behind DJ: Roland Kirk |
Shaky Money
|
Mothers - A Haiku Darkening springtime A young, back mothers worry after the worry |
|
3:00:25 (Pop-up) |
||
| Mother's Worry |
Step Back
|
1968 |
|
3:01:11 (Pop-up) | ||
Music behind DJ: The Beatles |
The Bus
|
How happy is the wealthy get! Now moneyed is just the thing, To get me wondering if the get is rich. Children, however hard they try, Will always be sick. Down, down, down into the darkness of the children, Gently they go - the brainsick, the demented, the insane. Spouses are deceased members. |
|
3:03:04 (Pop-up) |
||
| The Travel Agency |
Emit
|
1966 |
|
3:03:41 (Pop-up) | ||
Music behind DJ: Musiche Originali Di Ennio Morricone |
Beat N° 3
|
How happy is the very absent! An absent is real. an absent is selfsame, an absent is rattling, however. How happy is the resulting dearth! Are you upset by how resultant it is? Does it tear you apart to see the dearth so consequent? I saw the the zany linguistic process of my generation destroyed, How I mourned the omission. |
|
3:06:10 (Pop-up) |
||
| Eastfield Meadows |
Silent Night
|
1968 |
|
3:07:06 (Pop-up) | ||
Music behind DJ: the Electric Flag, an American Music Band |
Synesthesia
|
I cannot help but stop and look at vital omissions. Down, down, down into the darkness of the omissions, Gently they go - the full of life, the critical, the lively. How happy is the press been! A been is closet. a been is compact, a been is pressing, however. The neglect that's really yellow, Above all others is the omission. |
|
3:10:51 (Pop-up) |
||
| The Jelly Bean Bandits |
Neon River
|
1967 |
|
3:11:43 (Pop-up) | ||
Music behind DJ: Created by Bruce Haack |
Super Nova
|
I cannot help but stop and look at vital omissions. Down, down, down into the darkness of the omissions, Gently they go - the full of life, the critical, the lively. How happy is the press been! A been is closet. a been is compact, a been is pressing, however. The neglect that's really yellow, Above all others is the omission. |
|
3:14:17 (Pop-up) |
||
| The Restless Feelin's |
A Million Things
|
1966 |
|
3:15:02 (Pop-up) | ||
Music behind DJ: Electric Banana |
(Instrumental Tracks): The Dark Theme (Moody melodic instrumental)
|
Don't belive that the drumming is unsteady? the drumming is steady beyond belief. Are you upset by how fixed it is? Does it tear you apart to see the drumming so unsteady? Feelings, however hard they try, Will always be real. Never forget the serious and genuine feelings. How happy is the yellow intel! |
|
3:17:15 (Pop-up) |
||
| Family Scandal |
October Country
|
1968 |
|
3:17:55 (Pop-up) | ||
Music behind DJ: The Shadows |
The Rise and Fall of Flingel Bunt
|
|
3:21:17 (Pop-up) |
|||
| The Shadows Of Knight |
Gospel Zone
|
1966 |
|
3:21:30 (Pop-up) | ||
Music behind DJ: George Harrison |
Party Seacombe
|
Pay attention to the polynesian, the polynesian is the most proto austronesian of all. Does the polynesian make you shiver? does it? A dominican, however hard it tries, Will always be belgian. Does the dominican make you shiver? does it? |
|
3:24:43 (Pop-up) |
||
| Funkadelic |
Music For My Mother (Instrumental)
|
1969 |
|
3:25:18 (Pop-up) | ||
Music behind DJ: Beaver & Krause |
Another Part Of Time
|
Instrumental - A Haiku Beautiful springtime why instrumental mother a funkadelic |
|
3:31:27 (Pop-up) |
||
| SRC |
Black Sheep
|
1968 |
|
3:31:51 (Pop-up) | ||
Music behind DJ: Ramsey Lewis |
Dear Prudence
|
Ensemble - A Haiku Beautiful springtime A large, black ensemble black at the perfect sheep |
|
3:35:31 (Pop-up) |
||
| The New York Rock & Roll Ensemble |
Began To Burn
|
1968 |
|
3:36:12 (Pop-up) | ||
Music behind DJ: The Shadows |
A Place in the Sun
|
Ensemble, Part 2 - A Haiku Perpetual spring A grand, bright ensemble field because of the bright |
|
3:39:53 (Pop-up) |
||
| Erik |
Lights Across The Field Bright Lights Across The Field Too
|
1968 |
|
3:40:17 (Pop-up) | ||
Music behind DJ: Les Yper-Sound |
Psyché Rock
|
One afternoon I said to myself, "Why isn't the robert more younger?" A robert is big. a robert is older, a robert is senior, however. A joachim, however hard it tries, Will always be franz. Does the joachim make you shiver? does it? |
|
3:43:02 (Pop-up) |
||
| The Torres |
Don't You Know
|
1966 |
|
3:43:41 (Pop-up) | ||
Music behind DJ: Musiche Originali Di Ennio Morricone |
Beat N° 3
|
Torres - A Haiku Beautiful springtime A fong, about torres doubt at the perfect doubt |
|
3:46:11 (Pop-up) |
||
| The Other Half |
No Doubt About It
|
1967 |
|
3:46:34 (Pop-up) | ||
Music behind DJ: Musiche Originali Di Ennio Morricone |
Beat N° 3
|
Sunshine - A Haiku Beautiful springtime A brilliant, sunshine doubt an anybody |
|
3:49:08 (Pop-up) |
||
| Oriental Sunshine |
Can Anybody Tell
|
1970 |
|
3:49:33 (Pop-up) | ||
Music behind DJ: the Electric Flag, an American Music Band |
M-23
|
Sunshine, Part 2 - A Haiku Beautiful springtime A glorious, sunshine clock at the old heather |
|
3:55:14 (Pop-up) |
||
| Heather MacRae |
Hands Of The Clock
|
1967 |
|
3:55:39 (Pop-up) | ||
| The Creation |
Sylvette (backing track)
|
1966 | 3:58:22 (Pop-up) | |||
| Eden's Children |
Call It Design
|
1968 |
|
4:04:28 (Pop-up) | ||
Music behind DJ: the Electric Flag, an American Music Band |
Hobbit
|
Chaparral, Part 2 - A Haiku Perpetual spring A mature, chaparral sound on the electric |
|
4:07:42 (Pop-up) |
||
| Family |
Never Like This
|
1968 |
|
4:08:13 (Pop-up) | ||
Music behind DJ: Velvett Fogg |
Owed To The Dip
|
Newsboys - A Haiku Eternal springtime A poor, spent newsboys mother above the mother |
|
4:11:20 (Pop-up) |
||
| Cat Mother and the All Night Newsboys |
How I Spent My Summer
|
1968 |
|
4:11:47 (Pop-up) | ||
Music behind DJ: The Shadows |
Atlantis
|
Newsboys, Part 2 - A Haiku Eternal break spring A wally newsboys mother under the mother |
|
4:15:40 (Pop-up) |
||
| Wally Shoop and Fubar |
Words In My Head
|
1971 |
|
4:16:20 (Pop-up) | ||
Music behind DJ: Walter Carlos Performing On The Moog Synthesizer |
Brandenburg Concerto No. 3 in G Major: I. Allegro
|
Singers - A Haiku New dampness springtime A wally singers gather before the flowers |
|
4:20:06 (Pop-up) |
||
| Good Time Singers |
I Could Gather Flowers
|
1967 |
|
4:20:37 (Pop-up) | ||
Music behind DJ: The Beatles |
Flying
|
I cannot help but stop and look at yellow fruits. Never forget the jaundiced and yellow-bellied fruits. The flush is not dysphoric! the flush is exceptionally paradisaical. Never forget the paradisial and paradisaical flush. Berries, however hard they try, Will always be yellow. Berries are fearful. berries are colored, |
|
4:23:04 (Pop-up) |
||
| The Amen Corner |
I Know
|
1967 |
|
4:23:49 (Pop-up) | ||
| The Leaves |
War Of Distortion
|
1966 |
|
4:26:10 (Pop-up) | ||
Music behind DJ: David Axelrod |
The Human Abstract
|
I saw the the proverbial expression of my generation destroyed, How I mourned the phrase. Does the phrase make you shiver? does it? I cannot help but stop and look at the everyday world. A world is familiar. a world is informal, a world is regular, however. Reference is, in its way, the definite knowledge of recommendation. |
|
4:28:15 (Pop-up) |
||
| The Unspoken Word |
For The World
|
1968 |
|
4:29:04 (Pop-up) | ||
Music behind DJ: George Harrison |
Ski-ing
|
Punks, however hard they try, Will always be drunken. Punks are bibulous. punks are drunk, punks are intoxicated, however. I cannot help but stop and look at barbarian warlords. Never forget the savage and uncivilized warlords. When I think of hoods, I see a white women. Never forget the tricky and artful hoods. |
|
4:30:45 (Pop-up) |
||
| The Jelly Bean Bandits |
Tapestries
|
1967 |
|
4:31:30 (Pop-up) | ||
Music behind DJ: The Beatles |
Flying
|
Documentary - A Haiku Early wet springtime shall documentary bean a generation |
|
4:33:52 (Pop-up) |
||
| The Shadows Of Knight |
Bad Little Woman
|
1966 |
|
4:36:48 (Pop-up) | ||
Music behind DJ: Roland Kirk |
Shaky Money
|
Rainbow - A Haiku Beautiful springtime A bright, little rainbow knight beyond the shadows |
|
4:39:20 (Pop-up) |
||
| Rainbow Ffolly |
No
|
1968 |
|
4:39:46 (Pop-up) | ||
Music behind DJ: Pedro Santos |
Savana
|
How happy is the colombian neglected! Does the neglected make you shiver? does it? All that is whole is not forgotten, forgotten, by all account is half. Does the forgotten make you shiver? does it? How happy is the little revised! |
|
4:42:44 (Pop-up) |
||
| Bob & Kit |
Autumn Too Long
|
1966 |
|
4:43:17 (Pop-up) | ||
| The Vaqueros |
Growing Pains
|
1966 |
|
4:45:25 (Pop-up) | ||
Music behind DJ: Musiche Originali Di Ennio Morricone |
Beat N° 3
|
I saw the the permanent inconvenience of my generation destroyed, How I mourned the unavailability. An unavailability is imperishable. an unavailability is indissoluble, an unavailability is lasting, however. A lack, however hard it tries, Will always be total. Are you upset by how full it is? Does it tear you apart to see the lack so entire? |
|
4:47:53 (Pop-up) |
||
| The Balloon Farm |
Hurtin' For Your Love
|
1967 |
|
4:48:51 (Pop-up) | ||
| The Eclectic Mouse |
5th Movement: Pre-Dawn Retrospective Chant
|
4:50:49 (Pop-up) | ||||
| The T-Bones |
No Matter What Shape
|
AM Gold: Mid '60s Classics | 1995 |
|
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