Ridgewood Radio with David Weinstein:
Playlist
from March 20, 2024
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Ridgewood Radio features concert recordings by adventurous bands and experimental musicians and restored archival tapes from private and institutional collections captured at venues large and small across the five boroughs of New York. It is produced by David Weinstein and Outpost Artists Resources operating out of the Ridgewood section of Queens, NY, where you'll find more yellow bricks than on the road to Oz and the cemetery of your choice is never more than a few blocks from home.
Wednesday
5 - 7pm
(EDT)
|
On
WFMU's
Give the Drummer Radio
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March 20, 2024: Controlled Re-entry
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Elliott Sharp, Jeremiah Cymerman, St Celfer, and more...
| Artist | Track | Album | Label | Year | Comments | Approx. start time | ||||
|---|---|---|---|---|---|---|---|---|---|---|
| The Edwin Hawkins Singers |
Oh Happy Day
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Let Us Go Into The House Of The Lord | Pavilion/Buddah | 1969 | Based on an 18th century hymn, many times transformed. Edwin Reuben Hawkins (1943-2018) was an American gospel musician, pianist, vocalist, choir master, composer, and arranger. He was one of the originators of the urban contemporary gospel sound. | |||||
| St Celfer |
Suite #9: Outro - A Land of the Future
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Suites #1 - 9 | Bandcamp | 2021 | Stereo mix from a suite experimenting with 16 tracks as a kind of interactive electronic one-man band. St Celfer is of Korean and American origin and floats between São Paulo, NYC, and Seattle. | 0:08:21 (Pop-up) | ||||
| Goatface! |
Câmara 4 - Amarna
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Akhenaten Bazucas | Astral Sprits | 2022 | São Paulo, Brazil. Guilherme Granado, keyboards, synthesizers, electronics; Leandro Archela, keyboards, synthesizers; Thomas Rohrer, soprano sax, rabeca, flutes, objects; Rogerio Martins, bass clarinet, clarinet, flute; Ricardo Pereira, percussion along with everybody else. | 0:14:30 (Pop-up) | ||||
| Elliott Sharp |
Branches
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Arbor | zOaR | 2024 | From a collection of pieces for solo acoustic guitar. Performed on a Dell Arte Anouman guitar. | 0:23:48 (Pop-up) | ||||
| Stephen Ruppenthal, Gary R. Weisberg |
Say The Word
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Strange Times | imprec | 2024 | Ruppenthal, Buchla Electric Music Easel and 200 system, processed flugelhorn and voice, digital synthesis and sampling; Weisberg: various digital synthesizers and samplers, processed vocals, processed flute. | 0:37:58 (Pop-up) | ||||
| Susan Alcorn, Septeto del Sur |
Canto II. Presente - Sueño de Luna Azul
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Canto | Relative Pitch | 2023 | Based on Chilean folk and nueva canción with improvised and notated sections. Composer Alcorn, pedal steel guitar; Luis “ToTo” Alvarez, guitar; Claudio “Pajaro” Araya, drums, cuatro; Francisco “Pancho” Araya, charango, quena; Rodrigo Bobadilla, flute, quena, zampoña, vocals; Amanda Irarrazabal, double bass, vocals; Danka Villanueva, violin, vocals. | 0:49:07 (Pop-up) | ||||
| Taylor Deupree, Joseph Branciforte |
Recur
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sti.ll | Greyfade | 2024 | From an album of transcriptions by arranger/producer Branciforte in an acoustic re-setting of Deupree’s electronic album, stil. (2002). With Ben Monder (acoustic guitar), Laura Cocks (flute), Christopher Gross (cello), and Sam Minaie (double bass), alongside Branciforte (vibraphone, percussion) and Deupree (lap harp, percussion). | 1:05:34 (Pop-up) | ||||
| Taylor Deupree |
Recur
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Stil | 12k | 2002 | Built using "melodic and granular passages juxtaposed in variable-length loops, creating layered and imbedded rhythms and highly variable structures of repetition". | 1:15:25 (Pop-up) | ||||
| Jeremiah Cymerman |
Tongue of Fire
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Light | 5049 Records | 2024 | Composer Cymerman clarinet, synths, piano, percussion, sequencer, electric bass; Christopher Hoffman, cello; Toby Driver, guitar; Mike Pride, drums. | 1:28:45 (Pop-up) | ||||
| Solo Andata |
Incantare - Part 3
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Ritual | Desire Path Recordings | 2011 | Australia. Paul Fiocco and Kane Ikin, using found sound and field recordings. Source materials include distant chanting, a microscope that translates nano-mechanical motion data into sound, and recordings from a remote area of Western Australia called Injiidup. | 1:43:33 (Pop-up) | ||||
| Shuttle358 |
Frame
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Frame | 12k | 2000 | Dan Abrams (aka Shuttle358) "stark textures/drones with digital disfunction. clicks, skips, and tiny mechanised rhythms". | 1:55:45 (Pop-up) | ||||
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Listener comments!
WR:
listener james from westwood:
david w:
tom tom the pipers son:
david w:
chresti:
northguineahills:
Sem:
Sem:
northguineahills:
david w:
tom tom the pipers son:
Hank:
Bri The Beatnik:
Sem:
Bri The Beatnik:
david w:
Bri The Beatnik:
tom tom the pipers son:
Bri The Beatnik:
ranjit:
Bri The Beatnik:
david w:
tom tom the pipers son:
david w:
Alex from Media:
david w:
ranjit:
ruth:
tom tom the pipers son:
Alex from Media:
tom tom the pipers son:
david w:
Alex from Media:
tom tom the pipers son:
Alex from Media:
tom tom the pipers son:
david w:
Hank:
david w:
ranjit:
(using this as an excuse to post it because i also have a piece in that show!)
tom tom the pipers son:
david w:
ranjit:
david w:
david w:
7-10pm (EDT): BODEGA POP with Gary Sullivan: At the Ends of the World: Apocalyptic, ecstatic, dystopian, expansive, sorrowful, and confrontational music from Argentina, Armenia, Azerbaijan, Brazil, Chile, Egypt, Indonesia, Japan, Jordan, Mexico, Netherlands, Spain, Ukraine, and USA.
wfmu.org...
10pm-Midnite: IF YOU LOSE YOUR HORSE with Sam Segal
WR:
Alex from Media:
david w:
ranjit:
chresti:
Acid Cazh:
WR:
Acid Cazh:
Acid Cazh:
david w: