View Jeff Golick's profile |
Three hours of adventurous jazz drawing on the Destination: Out archives and other planes of there.
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Artist | Track | Album | Label | Year | Images | Approx. start time |
---|---|---|---|---|---|---|
The Roscoe Mitchell Art Ensemble | Tatas-Matoes | Congliptious | Nessa | 1968 | 0:00:00 (Pop-up) | |
Music behind DJ: Sun Ra |
The Perfect Man |
My Brother The Wind, Vol. I |
Saturn Research |
1970 |
0:02:24 (Pop-up) |
|
Anthony Braxton | Comp. No. 170C (+77D+99F) | Wesleyan (12 Altosolos) 1992 | hat ART | 1992 | 0:07:16 (Pop-up) | |
Anthony Braxton | You Go to My Head | Stil audio numerique / Neuf titres pour ¼ de siecle, 1971-1996 | Stil Editions | 1985/1997 | 0:12:13 (Pop-up) | |
Music behind DJ: Booker T. & The MGs |
Melting Pot |
0:19:01 (Pop-up) |
||||
Anthony Braxton | Composition No. 181 | Four Compositions (Quartet) 1995 | Braxton House | 1995 | 0:25:54 (Pop-up) | |
Anthony Braxton | Composition No. 185 | Sextet (Istanbul) 1996 | Braxton House | 1996 | 0:41:41 (Pop-up) | |
Music behind DJ: Natural Food |
Fair Breeze on Buzzard's Bay |
1:20:14 (Pop-up) |
||||
Anthony Braxton / Joe Fonda | Composition No. 173 | 10 Compositions (Duet) 1995 | Konnex Records | 1995 | 1:26:43 (Pop-up) | |
Anthony Braxton | Composition No. 188 | Octet (New York) 1995 | Braxton House | 1995 | 1:38:03 (Pop-up) | |
Music behind DJ: Chas Jankel |
To Woo Lady Kong |
2:35:57 (Pop-up) |
||||
Anthony Braxton | Composition No. 223 | Four Compositions (Washington D.C.) 1998 | Braxton House | 1998 | 2:44:44 (Pop-up) | |
Kobe Van Cauwenberghe | Composition No. 255 | Ghost Trance Septet Plays Anthony Braxton | el NEGOCITO | 2022 | 3:28:05 (Pop-up) | |
Music behind DJ: Jackie Mittoo |
More than Yesterday |
3:51:19 (Pop-up) |
||||
Anthony Braxton | Composition No. 243 | Four Compositions (GTM) 2000 | Delmark | 2000 | 3:57:31 (Pop-up) | |
Anthony Braxton | Composition No. 247 (Dedicated to Oum Kaltsoum) [excerpt] | Composition N. 247 | Leo Records | 2000 | 4:11:11 (Pop-up) | |
Wadada Leo Smith / Anthony Braxton | Composition No. 315 | Organic Resonance | Pi Recordings | 2003 | 4:24:55 (Pop-up) | |
Anthony Braxton | Composition No. 96 | 4 (Ensemble) Compositions 1992 | Black Saint | 1992 | 4:41:33 (Pop-up) | |
Music behind DJ: Dudu Pukwana & Spear |
Flute Music |
Flute Music |
Caroline |
1975 |
4:51:52 (Pop-up) |
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Live Audio Streams for Give the Drummer Radio: Pop-up | 128k MP3 (More streams: [+])
Listener comments!
WR:
marpay:
Jeff Golick:
coelacanth∅:
marpay:
coelacanth∅:
hi Jeff and OUTies
coelacanth∅:
marpay:
Jeff Golick:
Jeff Golick:
marpay:
coelacanth∅:
coelacanth∅:
coelacanth∅:
(!)
Jeff Golick:
Yvang:
marpay:
coelacanth∅:
Yvang:
marpay:
Jeff Golick:
Yvang:
coelacanth∅:
rest in peace.
Doug Schulkind:
marpay:
coelacanth∅:
Doug Schulkind:
adamdoesit:
Hi Jeff G and Braxtonians!
marpay:
HI adamdoesit!!
coelacanth∅:
coelacanth∅:
(doesn't matter now anyway. if it was 15 i'd only buy it, make a copy of it then sell it again)
marpay:
Jeff Golick:
marpay:
coelacanth∅:
adamdoesit:
I’ve got away with the Holland outbound; but, ime, the inbound Holland is never the right answer.
Jeff Golick:
alanr:
marpay:
alanr:
marpay:
coelacanth∅:
marpay:
Jeff Golick:
Here are Bill Shoemaker's very good notes on this 1995 release: newbraxtonhouse.bandcamp.com...
Mxter Baba:
Jeff Golick:
adamdoesit:
Jeff Golick:
marpay:
Anyway, some kinda synchronicity going on with us today.
marpay:
Mxter Baba:
Dean:
Probably not in the cards for tonight's tribute, but the box of vocal/choral GTM, Syntax, on New Braxton House is amazing. But each "track" is committed to a disk and lasts ~1 hour.
Jeff Golick:
I suspect the GTM stuff works even better when experienced live, vs on tape.
marpay:
Dean:
Live was indeed fairly astonishing, especially two shows a night, each a two drink minimum. I could observe Braxton "conducting," but also pairs of musicians choosing at any given moment to engage each other independent of the rest of the group.
Syntax is truly remarkable, in some ways like an Ashley opera, because there are lyrics (or at least words) and the texture of multiple voices exhibits both a sense of integrity, as in a fugue, and of variegated distinct vocal styles.
WR:
Ah, GTM = Ghost Trance Music.
WR:
Dean:
marpay:
marpay:
Mxter Baba:
Jeff Golick:
doctorjazz:
Jeff Golick:
Dean:
doctorjazz:
Dean:
Dean:
https://www.discogs.com/release/2476608-Anthony-Braxton-And-The-Fred-Simmons-Trio-9-Standards-Quartet-1993
Jeff Golick:
doctorjazz:
Dean:
Dean:
marpay:
WR:
Jeff Golick:
WR:
newbraxtonhouse.bandcamp.com...
marpay:
Jeff Golick:
WR:
Jeff Golick:
Violinist Erica Dicker on GTM: archive.soundamerican.org...
Graham Lock interviewing AB re GTM (and the Trillium Operas): archive.soundamerican.org...
Dean:
WR:
Dean:
doctorjazz:
Jeff Golick:
@Dean: wellllll...no. Really only hanging with the GTM book for this show. Sorry!
holland iOatS:
Jeff Golick:
Dean:
Jeff Golick:
doctorjazz:
doctorjazz:
Dean:
Jeff Golick:
b0b0b0b dublon plasticland:
Jeff Golick:
Jeff Golick:
Jeff Golick:
Dean:
Jeff Golick:
Jeff Golick:
Hams:
Jeff Golick:
Hams:
Dean:
Dean:
Hams:
doctorjazz:
doctorjazz:
WR:
Doug Schulkind:
Dean:
Jeff Golick:
doctorjazz:
Jeff Golick:
doctorjazz:
doctorjazz:
doctorjazz:
Jeff Golick:
doctorjazz:
WR:
doctorjazz:
doctorjazz:
Jeff Golick:
Dean:
Jeff Golick:
doctorjazz:
doctorjazz:
en.wikipedia.org...
Jeff Golick:
WR:
doctorjazz:
In late 2002, Braxton co-founded Battles, in which, until 2010, he performed as guitarist, keyboardist and singer.
Jeff Golick:
Dean:
WR:
doctorjazz:
Thanks, Jeff!
Oxidized:
Dean:
doctorjazz:
coelacanth∅:
WR:
Laters Dean, doctorjazz, Oxidized, coelacanth, and other streamers.
Jeff Golick: