The Stork Club with Stork:
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from October 8, 2023
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With billows and blasts from choirs and orchesters
Buskers and talkers
Big bands and squawkers,
the Stork Club has retained its qualities of decaying elegance and dwindling significance since the late 1950s.
Sunday
Noon - 3pm
(EST)
|
On
WFMU's
Give the Drummer Radio
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October 8, 2023: Of Slide Trumpets and Biwas
Trumpet-ist Steven Bernstein takes us on one wild musical ride after the next; Japanese composer Toru Takemitsu then takes your whirling senses on into his East-West sound world for explorations into gorgeous noises, punctuated and completed by crystalline silence
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| Artist | Track | Album | Comments | Images | Approx. start time |
|---|---|---|---|---|---|
| Steven Bernstein, Paolo Fresu, Gianluca Petrella & Marcus Rojas |
Italian at La Glance
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Brass Bang! | Steven speaks - Recording and Mixing in Udine, ArteSuono Studio, Italy in April 22-25 2013 |
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| Sex Mob |
Nadia Gray
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Cinema, Circus & Spaghetti | (From La Dolce Vita) Alto Horn, Trumpet – Steven Bernstein; Alto Saxophone, Baritone Saxophone – Briggan Krauss; Drums, Vibraphone, Waterphone, Gong – Kenny Wollesen; Electric Bass – Tony Scherr - - Recorded September 9, 2012 |
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0:01:13 (Pop-up) |
| Joe Fiedler |
Sesame Street Theme (feat. Jeff Lederer, Sean Conly, Michael Sarin)
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Open Sesame | Drums – Michael Sarin; Electric Bass – Sean Conly; Tenor Saxophone, Soprano Saxophone – Jeff Lederer; Trombone – Joe Fiedler; Trumpet – Steven Bernstein - - Recorded At Oktaven Audio May 31-June 1, 2018 |
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0:03:34 (Pop-up) |
| Lou Reed |
Mad
|
Ecstasy | Lou Reed - vocals, guitar; Mike Rathke - guitar; Fernando Saunders - bass, background vocals; Tony "Thunder" Smith - drums, percussion, background vocals; Steven Bernstein - trumpet, horn arrangements; Doug Wieselman - baritone & tenor saxophone; Paul Shapiro - tenor saxophone; Jane Scarpantoni - cello - - released 2000 |
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0:09:38 (Pop-up) |
| Kamikaze Ground Crew |
Electric Layland
|
Kamikaze Ground Crew | Alto Saxophone, Baritone Saxophone, Bass Clarinet, Accordion, Organ [Hammond], Vocals – Gina Leishman; Clarinet [Eb & Bb], Bass Clarinet, Tenor Saxophone, Baritone Saxophone, Electric Guitar, Balalaika, Organ [Hammond] – Doug Wieselman; Drums, Percussion – Kenny Wollesen; Tenor Saxophone, Soprano Saxophone – Peter Apfelbaum; Trombone – Art Baron; Trumpet; Slide Trumpet – Steven Bernstein; Tuba – Marcus Rojas; - - Recording Date March 5, 1997 - March 1, 1998 at Kampo Audio, New York, NY |
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0:14:04 (Pop-up) |
| Steven Bernstein |
Yis May Hoo
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Diaspora Hollywood | Baritone Saxophone, Bass Clarinet, Bass Flute, Performer [Ballon] – Pablo Calogero; Bass – David Piltch; Design – Heung-Heung Chin; Drums, Bongos, Percussion – Danny Frankel; Trumpet, Flugelhorn – Steven Bernstein; Vibraphone – D.J. Bonebrake - - -released 2004 |
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0:18:09 (Pop-up) |
| Steven Bernstein's Millennial Territory Orchestra |
Long, Long, Long
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Popular Culture (Community Music, Vol. 4) | Baritone Saxophone – Erik Lawrence; Bass – Ben Allison; Clarinet – Doug Wieselman; Drums – Ben Perowsky; Guitar, Vocals – Matt Munisteri; Tenor Saxophone – Peter Apfelbaum; Trombone – Curtis Fowlkes; Trumpet, Flugelhorn – Steven Bernstein; Violin – Charles Burnham — released 2022 |
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0:23:12 (Pop-up) |
| Spanish Fly |
Movement 5: End of the Night
|
Fly by Night | Arranged By – Spanish Fly; Drums, Percussion – Ben Perowsky; Slide Guitar, Cup Guitar, Prepared Guitar] – Tronzo; Trumpet, Trumpet [Slide Trumpet], Cornet, Vocals [Crooning], Music By, Words By – Steven Bernstein; Tuba, Percussion [Tubapercussion], Vocals [Tubasinging] – Marcus Rojas; - - "Fly By Night" commissioned by the San Francisco Ballet Association. Choreographed by Christopher D'Amboise. Premiered February 28, 1996 at Center For The Arts at Yerba Buena Gardens |
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0:26:52 (Pop-up) |
| Mostly Other People Do the Killing |
Bloomsburg
|
Loafer's Hollow | Banjo, Electronics – Brandon Seabrook; Bass – Moppa Elliott; Bass Trombone – Dave Taylor; Drums – Kevin Shea; Piano – Ron Stabinsky; Tenor Saxophone, Sopranino Saxophone – Jon Irabagon; Trumpet [Slide] – Steven Bernstein - - released 2016 |
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0:31:08 (Pop-up) |
| David Berger & The Sultans of Swing |
Swingin' at Club Sweets
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The Harlem Nutcracker | David Berger - conductor • Jerome Richardson - alto saxophone, soprano saxophone • Jerry Dodgion - alto saxophone, clarinet, flute • Bill Easley - tenor saxophone, clarinet • Mark Hynes - tenor saxophone • Jay Brandford - baritone saxophone • Bob Millikan, Brian Pareschi, Marcus Belgrave, Steven Bernstein - trumpet • Britt Woodman, Art Baron, Wayne Goodman - trombone • Isaac ben Ayala - piano • Dennis Irwin - bass • Jimmy Madison - drums • Aria Hendricks - vocals • Maeretha Stewart, Renay Peters, Diva Gray, Hilda Harris, Carline Ray, Althea Rogers, Kenny Williams, Joseph DeVaughn - choir Recording Date - January 4, 1999 - January 5, 1999 at Clinton Studios, New York, NY |
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0:35:47 (Pop-up) |
| Has Anybody Seen My DJ? | 0:40:08 (Pop-up) | ||||
| Steven Bernstein |
N'Kadesh Oz B'Kol
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Diaspora Blues | Alto Saxophone, Tenor Saxophone, Flute – Sam Rivers; Double Bass, Bass Clarinet – Doug Mathews; Drums, Tenor Saxophone – Anthony Cole; Trumpet, Trumpet [Slide] – Steven Bernstein - - Recorded and January 14 & 15, 2002 in Orlando, FL. |
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0:48:34 (Pop-up) |
| Steven Bernstein's Millenial Territory Orchestra Good Time Music (Community Music, Vol.2) |
Satori Slapdown
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Tinctures In Time (Community Music, Vol. 1) | Baritone Saxophone – Erik Lawrence ::::::Bass – Ben Allison ::::::Clarinet, Tenor Saxophone – Doug Wieselman ::::::Drums – Ben Perowsky ::::::Guitar, Banjo – Matt Munisteri ::::::Tenor Saxophone – Peter Apfelbaum ::::::Trombone – Curtis Fowlkes ::::::Trumpet, Flugelhorn – Steven Bernstein ::::::Violin – Charles Burnham - - -released: 2017 |
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0:54:21 (Pop-up) |
| Henry Butler & Steven Bernstein |
Wolverine Blues
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Viper's Drag | Henry Butler – piano §§§Steven Bernstein – trumpet, slide trumpet, alto horn §§§Peter Apfelbaum – tenor saxophone §§§Michael Blake – tenor/soprano saxophone §§§Erik Lawrence – baritone/soprano saxophone §§§Doug Wieselman – clarinets §§§Curtis Fowlkes – trombone §§§Matthew Munisteri – guitar §§§Reginald Veal – bass §§§Herlin Riley – drums §§§Charlie Burnham – violin - - - Recorded at Avatar Studios, NYC, 2014 |
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1:00:03 (Pop-up) |
| Steven Bernstein |
Cha
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Diaspora Soul | Arranged By, Trumpet – Steven Bernstein; Congas, Bongos, Maracas, Claves [Clave] – E.J. Rodriguez; Drums, Percussion – Roberto Juan Rodriguez; Bass – Tony Scherr; Electric Piano [Wurlitzer Electric Piano], Organ – Brian Mitchell; Tenor Saxophone – Michael Blake, Peter Apfelbaum - -released 1999 |
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1:05:40 (Pop-up) |
| Sex Mob |
Pygmy Suite
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Sexotica | Acoustic Bass, Acoustic Guitar, Voice – Tony Scherr; Alto Saxophone, Baritone Saxophone – Briggan Krauss; Drums, Percussion, Whistle [Bird], Vibraphone – Kenny Wollesen; Guest, Tabla – Mike Dillon; Programmed By, Producer – GoodAndEvil; Trumpet [Slide], Mellophone, Voice – Steven Bernstein - - recorded live at GoodAndEvil studio in Brooklyn on Nov. 28 and 29, 2005 |
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1:10:26 (Pop-up) |
| Steven Bernstein |
Levi
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Diaspora Suite | Composed By, Arranged By, Trumpet – Steven Bernstein; Bass – Devin Hoff; Clarinet, Contra-Alto Clarinet – Ben Goldberg; Drums – Scott Amandola; Drums, Percussion – Josh Jones; Electric Guitar – John Schott, Nels Cline, Will Bernard; Tenor Saxophone, Flute, Percussion [Qarqabas] – Peter Apfelbaum; Trombone – Jeff Cressman - - - Recorded March 21, 2007 at Bay Studios, Oakland |
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1:15:32 (Pop-up) |
| Michael Blake |
Maria
|
Drift | Acoustic Bass – Ben Allison; Alto Saxophone, Baritone Saxophone – Briggan Krauss; Drums – Matt Wilson; Electric Guitar – Tony Scherr; Percussion – Mauro Refosco; Piano – Frank Kimbrough; Tenor Saxophone, Horn [Peck Horn], Trumpet – Peck Allmond; Tenor Saxophone, Soprano Saxophone, Arranger – Michael Blake; Slide Trumpet – Steven Bernstein; Trumpet, Flugelhorn – Ron Horton; Tuba – Marcus Rojas - - Recorded at Sorcerer Sound, NYC on September 4th and 5th. 1998 and January 6th, 1999 |
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1:19:38 (Pop-up) |
| Roswell Rudd |
Baby, It's Cold Outside (Feat. Steven Bernstein)
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Trombone for Lovers | Roswell Rudd – trombone • John Medeski – organ • Richard Hammond – bass • Aaron Comess – drums Trumpet [Slide] – Steven Bernstein Written-By – Frank Loesser - -released 2013 |
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1:24:47 (Pop-up) |
| Ding-A-Ling DJ | 1:27:35 (Pop-up) | ||||
| Toru Takemitsu - Toronto New Music Ensemble - Robert Aitken |
Bryce, For Flute, Two Harps, Marimba And Percussion
|
Chamber Music | Composed By – Toru Takemitsu; Clarinet – Joaquin Valdepeñas; Ensemble – Toronto New Music Ensemble; Flute – Robert Aitken; Guitar – Norbert Kraft; Harp – Sanya Eng; Percussion – Bob Becker, John Wyre, Robert Engelman, Russell ;Hartenberger, Ryan Scott; Piano – David Swan; Viola – Erica Goodman, Steven Dann - - Recorded at the Toronto Centre for the Arts, Toronto, and St. John Chrysostom Church, Newmarket, Canada, June and August 2001 |
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1:32:19 (Pop-up) |
| Toru Takemitsu |
Bunraku
|
Kwaidan | Recorded at Music Concrete in 1966 - Tokyo(?) |
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1:42:29 (Pop-up) |
| Franz Halasz |
All in Twilight - IV. Slightly Fast
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Takemitsu - Complete Music for Solo Guitar | Guitar – Franz Halász (2000) |
|
1:45:41 (Pop-up) |
| Toru Takemitsu |
Le Son-Calligarphie No.3
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Works Of Toru Takemitsu - 4 | Conductor – Hiroshi Wakasugi |
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1:48:00 (Pop-up) |
| TOKK-Ensemble Tokyo |
Music For Living Process
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Music For Living Process... | Harp – Ayako Shinozaki; Percussion – Yasunori Yamaguchi; Piano, Composed By – Toshi Ichiyanagi; Shakuhachi – Katsuya Yokoyama; Violin [Electric] – Takehisa Kosugi; Harp – Ayako Shinozaki; Percussion – Yasunori Yamaguchi; Piano, Composed By – Toshi Ichiyanagi; Shakuhachi – Katsuya Yokoyama; Violin [Electric] – Takehisa Kosugi - - Recorded October 27, 28 & 29, 1975 |
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1:50:29 (Pop-up) |
| Toru Takemitsu |
Tokyo Senso Sengo Hiwa [A Secret Post-Tokyo War Story, 1970]
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Film Music By Toru Takemitsu vol. 3: | Music from films directed by Nagisa Oshima - |
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2:04:01 (Pop-up) |
| Toru Takemitsu |
Subarashii Akujo
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Film Music By Toru Takemitsu vol. 6 | Translation: A Marvelous Kid or Wonderful Bad Woman] Films directed by Kon Ichikawa, Noboru Nakamura & Hideo Onchi - -1963 |
|
2:07:36 (Pop-up) |
| Drummer DJs have more Platformate | 2:10:49 (Pop-up) | ||||
| Toronto Symphony Orchestra/Seiji Ozawa |
Green (November Steps II), for orchestra
|
Takemitsu: Asterism, Requiem, Green, Dorian Horizon | Artwork – Jasper Johns; Composed By – Toru Takemitsu; Conductor – Seiji Ozawa; Orchestra – Toronto Symphony - - rel. 1969 - - [from back cover] Cover painting : JOHNS, Jasper "Green Target". 1955 Encaustic on newspaper over canvas, 60" x 60" Collection, The Museum Of Modern Art, New York |
|
2:17:34 (Pop-up) |
| Heinz Holliger, Tadamaro Ono |
Distance
|
Takemitsu: Garden Rain | Cello – Akiyoshi Kudo, Tadao Takahashi; Conductor – Hiroshi Wakasugi; Viola – Aya Tanaka, Junko Edo; Violin – Kenji Kobayashi, Mari Hirao, Miyuki Togawa, Namiko Umezu - - written 1960. Recorded 12/1974 - Tokyo, Polydor Studio No. 1 |
|
2:23:14 (Pop-up) |
| Toru Takemitsu |
Sama Soruja
|
Film Music By Toru Takemitsu vol. 4 | Translation: Summer Soldiers Films directed by Hiroshi Teshigahara - -1972 |
|
2:32:05 (Pop-up) |
| Toru Takemitsu |
Valeria
|
A Flock Descends into the Pentagonal Garden | Cello – Yoshio Hattori; Conductor – Hiroshi Wakasugi; Guitar – Harumi Ibe; Organ [Electric] – Yuji Takahashi; Piccolo Flute – Ryu Noguchi, Takeshi Koizumi; Violin – Saburo Ueki - - composed 1965/69 - recorded Polydor Studio No. 2, Tokyo |
|
2:35:34 (Pop-up) |
| Toru Takemitsu |
Biwa-Uta
|
Kwaidan | Recorded: Music Concrete in 1966 |
|
2:42:00 (Pop-up) |
| Toru Takemitsu Played By John Williams |
Toward The Sea - 1. The Night
|
To The Edge Of Dream / Toward The Sea / Vers, L'Arc-En-Ciel, Palma / Folios / Etc. | Guitar – John Williams Recorded At Henry Wood Hall, London, September 11-14, 1989 |
|
2:53:01 (Pop-up) |
| DJ bids you sayonara | 2:57:08 (Pop-up) |
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Listener comments!
listener james from westwood:
DJ Peter:
Stork:
doctorjazz:
chresti:
Gimme some bright lights!
Stork:
doctorjazz:
love2laf:
Stork:
Sem:
Storch! All! The time is now.
Stork:
Stork:
Jeff Golick:
Revolution Rabbit Nov63:
' Steven Bernstein (born October 8, 1961) is an American trumpeter, slide trumpeter, arranger/composer and bandleader based in New York City. He is best known for his work in The Lounge Lizards, Sex Mob, Spanish Fly and the Millennial Territory Orchestra. Sex Mob's 2006 CD Sexotica was nominated for a Grammy.
Bernstein has been the musical director for the Kansas City Band (from Robert Altman's film Kansas City), Jim Thirlwell's Steroid Maximus and Hal Wilner's Leonard Cohen, Doc Pomus and Bill Withers projects. Bernstein has released four albums under his own name on John Zorn's Tzadik Records: Diaspora Soul, Diaspora Blues, Diaspora Hollywood and Diaspora Suite. He has performed with jazz giants including Roswell Rudd, Sam Rivers, Don Byron and Medeski, Martin & Wood, as well as musicians ranging from Aretha Franklin to Lou Reed, from Linda Ronstadt to Digable Planets, from Sting to Courtney Love. Since 2004 Bernstein has been a member of Levon Helm's Midnight Ramble band, playing in Helm's Woodstock home, as well as touring with the band. As an arranger Bernstein has written for Bill Frisell, Rufus Wainright, Marianne Faithfull and Elton John among others. He has composed for dance, theatre, film and television, and with composer John Lurie, arranged the scores to many feature films, including Get Shorty.
Bernstein is perhaps best known for playing the slide trumpet. As he indicated an interview with PostGenre, "with the slide trumpet, you have complete freedom. There’s not really anyone to compare your sound to. And that lack of comparisons gave me the freedom to not worry much about what other people did before me." '
⦿Sun in ♎︎Libra, Year of Metal 🐎Horse
' Tōru Takemitsu (武満 徹, pronounced [takeꜜmitsɯ̥ toːɾɯ]; 8 October 1930 – 20 February 1996) was a Japanese composer and writer on aesthetics and music theory. Largely self-taught, Takemitsu was admired for the subtle manipulation of instrumental and orchestral timbre. He is known for combining elements of oriental and occidental philosophy and for fusing sound with silence and tradition with innovation.
He composed several hundred independent works of music, scored more than ninety films and published twenty books. He was also a founding member of the Jikken Kōbō (Experimental Workshop) in Japan, a group of avant-garde artists who distanced themselves from academia and whose collaborative work is often regarded among the most influential of the 20th century.
His 1957 Requiem for string orchestra attracted international attention, led to several commissions from across the world and established his reputation as the leading 20th-century Japanese composer. He was the recipient of numerous awards and honours and the Toru Takemitsu Composition Award is named after him. '
Stork:
Stork:
Jeff Golick:
?:
fred:
Stork:
??????
doctorjazz:
Revolution Rabbit Nov63:
The best always seem to be someone other than Rawk Gittarists...
Stork:
Sem:
adamdoesit:
rw:
chresti:
WR:
Sem:
love2laf:
rw:
fred:
Dean:
Sem:
Stork:
Revolution Rabbit Nov63:
adamdoesit:
Stork:
Stork:
doctorjazz:
Michael 98145:
Katharsis:
doctorjazz:
fred:
Revolution Rabbit Nov63:
Dean:
Revolution Rabbit Nov63:
But now life is once again omplete.
Stork:
Revolution Rabbit Nov63:
doctorjazz:
doctorjazz:
Stork:
doctorjazz:
wfmu.org...
Stork:
Dean:
doctorjazz:
doctorjazz:
chresti:
northguineahills:
Revolution Rabbit Nov63:
Revolution Rabbit Nov63:
fred:
doctorjazz:
Michael 98145:
fred:
Revolution Rabbit Nov63:
Michael 98145:
Revolution Rabbit Nov63:
doctorjazz:
chresti:
Dean:
fred:
fred:
Andrew Waterloo:
northguineahills:
Dean:
Andrew Waterloo:
Katharsis:
Dean:
Andrew Waterloo:
GJF will be fine.. just a tough year with Scott and Karen NG both stepping down
Dean:
Stork:
fred:
Stork:
Stork:
Robm:
Robm:
Stork:
Robm:
love2laf:
fred:
Katharsis:
fred:
Robm:
wendy del formaggio:
People who aren’t Stork!
doctorjazz:
love2laf:
Stork:
Robm:
Robm:
Stork:
doctorjazz:
fred:
I think you'd like his work
wendy del formaggio:
wendy del formaggio:
Stork:
Robm:
Stork:
adamdoesit:
Glen Passaic Kamikaze
2oz Glen Passaic
1 orange jelly fruit slice, Kosher for Passover
3/4oz yuzu juice (or, failing that, half lemon, half lime)
In a cocktail shaker, pour Glen Passaic over fruit slice, and swirl until dissolved, about half a second. Add yuzu juice, shake over ice until well emulsified, and strain into two shot glasses.
Traditionally downed by two drinkers in one go, after chanting "Kampei, L'chaim, Auf Simchas, Banzai!"
fred:
wendy del formaggio:
Andrew in Toronto:
Andrew in Toronto:
Andrew in Toronto:
doctorjazz:
love2laf:
Robm:
wendy del formaggio:
wendy del formaggio:
Robm:
fred:
Robm:
Andrew in Toronto:
northguineahills:
Robm:
Stork:
love2laf:
Stork:
David (in London):
All hail the mighty Stork and assembled Club-goers.
doctorjazz:
fred:
Michael 98145:
Stork:
Michael 98145:
doctorjazz:
Stork:
doctorjazz:
David (in London):
Dean:
wendy del formaggio:
David (in London):
David (in London):
wendy del formaggio:
David (in London):
fred:
doctorjazz:
wendy del formaggio:
Dean:
Stork:
Stork:
fred:
Stork:
www.nippon.com...
northguineahills:
doctorjazz:
Dean:
doctorjazz:
Michael 98145:
fred:
adamdoesit:
Michael 98145:
love2laf:
*hands a stuffed lion to David.
Revolution Rabbit Nov63:
northguineahills:
Revolution Rabbit Nov63:
Stork:
Michael 98145:
doctorjazz:
Stork:
Stork:
Stork:
northguineahills:
David (in London):
northguineahills:
/not a doctor....
Stork:
Stork:
Dean:
Dean:
David (in London):
fred:
Andrew in Toronto:
Stork:
Stork:
Dean:
David (in London):
fred:
Stork:
Stork:
doctorjazz:
Stork:
fred:
Revolution Rabbit Nov63:
...& intriguing thots all around.
The Monster Kid Radio podcast for example makes a major Stylistic ~ Genre line of demarcation in Horror History @ 'Night of the Living Dead' in 1968. For Soundtracks - they credit 'Easy Rider' around then with being the first that was 'somebody's record collection'... Tho not sure who that relates to the topic @ hand... Forbidden Planet 1956 (I think it was) being super Progressive for its Electronic Musics - & how they merge with the Foley, as it were...
Interesting then the Japanese were ahead of the curve here. As the Germans kind of invented Horror Movies - & were quite notably Expressionist. This idea that SciFi & Horror lifted Modernist ~ Avant Movement innovations wholesale for a whole other Context... Tho by that accounting, Horror maybe less an egregious appropriation ? Suggested that Frankenstein's head was pretty Bauhaus, matter of fact...
Dean:
fred:
northguineahills:
WR:
David (in London):
Michael 98145:
Andrew in Toronto:
northguineahills:
David (in London):
David (in London):
northguineahills:
Michael 98145:
Stork:
northguineahills:
David (in London):
www.youtube.com...
Michael 98145:
northguineahills:
northguineahills:
David (in London):
Revolution Rabbit Nov63:
Michael 98145:
Stork:
Stork:
fred:
northguineahills:
Ike:
Stork:
northguineahills:
Stork:
northguineahills:
David (in London):
Have a good week Club-goers.
fred:
doctorjazz:
rw:
Michael 98145:
Revolution Rabbit Nov63:
Stork:
doctorjazz:
Michael 98145:
chresti:
WR: