If You Lose Your Horse with Sam Segal:
Playlist
from May 8, 2024
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View Sam Segal's profile
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A true disrupter within the freeform internet-radio market, If You Lose Your Horse creates a space for smart consumers to experience a game-changing digital audio brand.
Wednesday
10pm - Midnight
(EST)
|
On
WFMU's
Give the Drummer Radio
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| Artist | Track | Album | Label | Approx. start time | ||||||
|---|---|---|---|---|---|---|---|---|---|---|
| Line Monty |
Berkana Menekon
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Trésors De La Chanson Judéo-Arabe | MLP | 0:00:00 (Pop-up) | ||||||
| Lili Boniche |
Mazalet Medjetch
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Anthologie | World Village | 0:07:30 (Pop-up) | ||||||
| Orchestre El Gusto |
Kidjet El Youm
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El Gusto | Remark | 0:13:00 (Pop-up) | ||||||
| Mohamed Lamari |
Djazaïria
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Trésors De La Musique Algérienne | Institut Du Monde Arabe | 0:16:46 (Pop-up) | ||||||
| Maurice el Medioni Meets Roberto Rodriguez |
Je N'Aime Que Toi
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Descarga Oriental: The New York Sessions | Piranha | 0:30:57 (Pop-up) | ||||||
| Maurice el Medioni |
Ana N'habek
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Pianoriental | Buda Musique | 0:36:08 (Pop-up) | ||||||
| Maurice el Medioni |
Ne Dis Rien
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Pianoriental | Buda Musique | 0:41:04 (Pop-up) | ||||||
| René Perez |
Elli Mektoub Mektoub
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Mchate Aâliya / Elli Mektoub Mektoub | Dounia | 0:43:44 (Pop-up) | ||||||
| Reinette L'Oranaise |
Mazal Haï Mazal
|
Mazal Haï Mazal | Homère | 0:49:29 (Pop-up) | ||||||
| Saoud l'Oranais |
Lek Nechtki Biamri
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Chanteurs Juifs D'Algérie | MLP | 0:54:41 (Pop-up) | ||||||
| Edmond Nathan Yafil |
Zindani Shtih
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Chanteurs Juifs D'Algérie | MLP | 0:58:02 (Pop-up) | ||||||
| Hadj Mohamed Tahar Fergani |
Essabah Fil Inchirah (Istikhbar)
|
Algeria: Anthology of Arab-Andalusian Music Vol. 1 | Ocora | 1:00:45 (Pop-up) | ||||||
| Salim Halali |
Ya Ghorbati
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Le Plus Grand Chanteur Oriental (Vol. 1) | Atoll | 1:08:10 (Pop-up) | ||||||
| Troupe de Timimoun |
Ahellil
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Trésors De La Musique Algérienne | Institut Du Monde Arabe | 1:24:37 (Pop-up) | ||||||
| Goldblum |
De Druif
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Of Feathers and Bones | KRAAK | 1:27:30 (Pop-up) | ||||||
| HiriHara |
Torn
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Khayin | Boomarm Nation | 1:31:59 (Pop-up) | ||||||
| Orfeón Gagarin |
Salmos Funiculares Part 3
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Salmos Funiculares | Artificial Owl | 1:34:25 (Pop-up) | ||||||
| Thomas Stone |
Limitations
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Zener_54 | Sensory Leakage | 1:36:36 (Pop-up) | ||||||
| Lila Bazooka |
Ducks and Boats
|
Arashiyama | Ayler | 1:42:53 (Pop-up) | ||||||
| John Lawson |
Time Will Say Nothing But I Told You So
|
European Primitive Guitar (1974-1987) | NTS | 1:49:10 (Pop-up) | ||||||
| Turner Williams Jr. |
Tournesol
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Ensoleillée | Les Disques Omnison | 1:51:00 (Pop-up) | ||||||
| Rhodri Davies |
Yr Hen Dôn
|
Telyn Wrachïod | Amgen | 1:58:53 (Pop-up) | ||||||
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Listener comments!
headcleaner:
Manta:
Threemoons 🌛🌕🌜:
tom tom the pipers son:
Carmichael:
Sam Segal:
Sam Segal:
Sam Segal:
Sam Segal:
Sam Segal:
Sam Segal:
northguineahills:
northguineahills:
northguineahills:
northguineahills:
zzz:
heyyyyy SS and all ✌️
coelacanth∅:
Sam Segal:
headcleaner:
Sam Segal:
coelacanth∅:
Sam Segal:
Dean:
rw:
rw:
Carmichael:
mackeral:
tom tom the pipers son:
he went on to tell offensive racist jokes that had the his audience falling over themselves
coelacanth∅:
Sam Segal:
Sam Segal:
Sam Segal:
Sam Segal:
coelacanth∅:
if you want me to stop i'll have to turn the show off entirely.
rw:
Sam Segal:
coelacanth∅:
zzz:
Sam Segal:
Sam Segal:
tom tom the pipers son:
tom tom the pipers son:
Sam Segal:
Since his death at the end of March, I’ve been listening once again to El Médioni’s music. Born in Oran in 1928, El Médioni grew up in a Jewish family of musicians and café owners. (His uncle Saoud l’Oranais was a renowned master of Arab Andalusi music. At an early age, he began teaching himself piano, riffing on popular Arab and French tunes. As a young adult, he worked as a tailor by day and played in cabarets at night. He often entertained the soldiers who had landed in Algeria as part of Operation Torch—the 1942 Allied invasion of French-occupied North Africa—some of whom were accomplished musicians in their own right. From African American soldiers, El Médioni learned jazz, boogie-woogie, and fox trot; from Puerto Rican soldiers, he learned rumba. In 1962, following the War of Independence, El Médioni emigrated to France, first to Paris and then to Marseille. It was in the latter city, where he would spend the majority of his life, that he composed “Ma guitare et mon pays”—a heart-wrenching song that captures the pain of a generation of North Africans in exile—for the great Jewish Algerian singer Line Monty. El Médioni’s son Yaakov recalls Monty visiting his home and singing, as enraptured listeners swayed back and forth, eyes closed, hands to their cheeks, longing for their beautiful childhood days in Oran, Tunis, or Casablanca.
Over the course of his life, El Médioni composed dozens of hits. One of the last heirs to the formidable lineage of Jewish Andalusian music, he was also a great innovator, creating a wholly original sound fusing Andalusi nubas (classical music from medieval Al Andalus) and rai (20th-century popular Algerian music) with global influences from boogie-woogie to rumba to French cabaret. He collaborated with many of the greatest musicians of his era, including Reinette l’Oranaise, Lili Boniche, Lili Labassi, Blond-Blond, Sami El Maghribi, Mahieddine Bachtarzi, Blaoui Houari, Ahmed Wahby, Fadhéla Dziria—as well as with younger musicians, such as Khaled, Roberto Rodriguez, the Klezmatics, mixing what he called “pianoriental” riffs with Rai, Cuban grooves, and Klezmer. In 2012, he reunited with long-lost collaborators thanks to the El Gusto project, an initiative imagined by the Algerian filmmaker Safinez Bousbia, which brought together the Jewish and Muslim musicians who had been part of the Hadj Mohamed El-Anka ensemble in the 1950s. Toward the end of his life, El Médioni emigrated to Israel, where he participated in the revival of Jewish Arab music, notably on the Andalusian orchestra scene. Generations of listeners will remember him for his rich musical contribution, his innovative talent, his technical prowess, and his sense of hospitality. To me, he represented one of the last living links to my grandparents’ world—a world at once Jewish and Arab, where lullabies, weddings, songs, and ballads were sung seamlessly in Arabic, French, and Hebrew, and where Jewish and Muslim life were profoundly intertwined. He carried a cultural torch that is now our inheritance. Allah yerhamak ya maalem.
rw:
zzz:
Franco Twinkie:
Sam Segal:
zzz:
zzz:
jewishmorocco.blogspot.com...
Sam Segal:
tom tom the pipers son:
coelacanth∅:
i immediately called him/her out and of course the troll played innocent and claimed i was racist for having a problem with his/her being japanese.
incredibly, it seemed no one else had a problem with it and one regular commenter who knows some japanese actually engaged in japanese... as if an asian person with an accent types out that accent!
finally i called him/her a "racist twat".
Sam (the other Sam) actually deleted MY comment (not the whole post, for some reason, just the text - ?).
no action to remove this person or curb this behavior (banning obviously the only reasonable option) until Little Danny finally spoke up and said that racist needs to be banned.
...but yes, i thought of jerry lewis when i read the troll's posts.
mackeral:
doctorjazz:
Sam Segal:
tom tom the pipers son:
Sam Segal:
Sam Segal:
Sam Segal:
doctorjazz:
Ike:
Sam Segal:
tom tom the pipers son:
coelacanth∅:
...i can appreciate her deleting my comment, being a woman and -not necessarily but possibly thinking that term rude!
but as the only action she took for like 1/2 an hour of these racist posts?!
...kind of like saying the racism is okay.
coelacanth∅:
still b/p:
tom tom the pipers son:
tom tom the pipers son:
coelacanth∅:
but like the 3 stooges, by the time i was 10-12 i thought it was stupid crap! -and the racism did not go unnoticed, as it likely did when i was really little.
tom tom the pipers son:
coelacanth∅:
...and i know shit like that still happens. i guess it always will.
i worked with a guy who called my car a "riceburner"... it wasn't even japanese! 'twas a volvo!
- that's how smart he was!
headcleaner:
tom tom the pipers son:
Sam Segal:
Franco Twinkie:
When I saw it again I was an adult, and still found it to be an unsettling but ultimately experience.
But in 1961 it haunted my dreams like no other movie I ever have seen.
headcleaner:
tom tom the pipers son:
northguineahills:
/riffing of the artist's name....
Franco Twinkie:
tom tom the pipers son:
Sam Segal:
Sam Segal:
tom tom the pipers son:
Franco Twinkie:
northguineahills:
tom tom the pipers son:
Sam Segal:
mackeral:
northguineahills:
Franco Twinkie:
mackeral:
Sam Segal:
Sophie Bernado - bassoon, voice, electronics
Céline Grangey - sound design, electronics
ayler-records.bandcamp.com...
tom tom the pipers son:
northguineahills:
tom tom the pipers son:
Franco Twinkie:
mackeral:
Franco Twinkie:
mackeral:
Franco Twinkie:
northguineahills:
tom tom the pipers son:
northguineahills:
zzz:
tom tom the pipers son:
Franco Twinkie:
mackeral:
coelacanth∅:
i'd say these people should be in jail, but...that's not what i really think should happen to them.
Manta:
rw:
Sam Segal:
headcleaner:
Ike:
coelacanth∅:
northguineahills:
still b/p:
Final movie note, non-Jerry.
The photo of movie palace -- in playlist photo neighborhood, linked by headcleaner at top of show -- shows Ice Station Zebra playing. I saw it with a couple uncommon circumstances: i simply wanted to see it and had my folsk drop me off solo one at local cinema, and it required me getting special permission from them because it was rated "M."
coelacanth∅:
Sam Segal:
doctorjazz:
Last set was cool too, thanks Sam!
Leonardo: