WFMU: Observations of Deviance with David Mittleman: Playlist from June 15, 2024

Listener comments!
	4:46pm Observations: going live in roughly 14 minutes
	🥁 5:00pm WR: Summer special special. Hi David and folks.
	5:01pm Observations: LIVE NOW!
	5:01pm doctorjazz: Hi David, Observers!
	5:03pm Dean: Hey, ya!
	5:03pm spodiodi: Greetings,David and all !
	5:06pm Observations: ✌️👋🙏😎👋
	5:09pm Observations: ↳ Song: "For Rafael Garrett" by "William Parker / Cooper-M... the flute that William Parker plays on the track "For Rafael Garrett" on Heart Trio was made by DRG
	5:15pm Observations: DRG was here from 1954-56 The Narcotic Farm And The Little Known History America’s First Prison For Drug Addicts www.forbes.com...
	5:15pm Observations: ↳ Observations @5:15 LEXINGTON NARCOTIC FARM COLLECTION FILLS GAP history.ky.gov...
	5:16pm Observations: ↳ Observations @5:15 NARCOTIC FARM film www.narcoticfarm.com...
	🥁 5:16pm WR: ↳ Song: "For Rafael Garrett" by "William Parker / Cooper-M... Tomorrow at 3PM ET there will be a listening party on bandcamp for this Parker Cooper-Moore Drake release.
	5:17pm fred: ↳ Dean @5:03 (Follow up from previous playlist) I'm not a native speaker, so poetry is tough. I can get some of the rhythm, but not the flow of the vowels. I was making some progress, but my main tool (a magazine called Ploughshares) really fucked me using COVID as an excuse, so that put an end to that (they asked me for an extended 3 year subscription as support, then sent me 1 issue over 3 years, and I had to beg to get digital access each issue, I soon gave up on that scam)
	🥁 5:19pm WR: ↳ Song: "Kulu Sé Mama (Juno Sé Mama)" by "John Coltrane" Haven't listened to Kuli Se Mama in a long time. Formative listening for the young WR.
	🥁 5:23pm WR: ↳ WR @5:16 Clicking the link David has for the album should also have info on the "listening party". I got alert saying I am already registered to join (free but they ask for a rsvp).
	5:25pm Observations: ↳ WR @5:23 here's the RSVP link williamparker.bandcamp.com...
	5:25pm Dean: Yeah, but French poetry... I know of Ploughshares, but I don't know the content.
	5:34pm fred: ↳ Dean @5:25 The content is great, my problem is getting it
	5:35pm Dean: You get dance, fred, which must be harder to get than poetry. I say take the same posture, the same openness to reception. Having done so, you got it.
	5:36pm fred: ↳ Dean @5:25 I can't stand French, as a language mostly, and as a culture
	5:37pm Dean: Oh, wait, by "getting it" you mean literally receiving it in your mailbox! I am pretty much a fan of French and its culture.
	5:40pm fred: ↳ Dean @5:35 Maybe attending readings would help, but that would not convey the typographical choices which I was starting to value. I just can't afford poetry
	5:43pm doctorjazz: Just found a baby bird in may back yard (actually puppy Laila found it, but put it down when I told her to). Still alive, seems ok, don't know what to do except leave it and hope it's parents bring it back to the nest (really young, no feathers). (That's what it says to do when I Google it).
	5:44pm Dean: I am no fan of readings. I have to read poetry, one line at a time, one stanza at a time, one page at a time. I do not like "performances" of poetry.
	5:45pm fred: ↳ Dean @5:35 Dance is easier when you come from nothing. You sill have a body. Language is far trickier, the codes are taught, not felt
	5:46pm Dean: Dance codes aren't taught?
	5:46pm spodiodi: Pretty sure that bird doesn’t have a chance
	5:50pm fred: ↳ Dean @5:46 They are, but that's the boring part to me. I'm not talking about emotion there either. I never danced, but what I get from a dance performance is definitely physical
	5:51pm Dean: Physical is what I get from reading.
	5:52pm fred: ↳ Dean @5:51 When done well, yeah. For better or worse
	5:55pm doctorjazz: ↳ spodiodi @5:46 I suspect the same, left it where we found it, sometimes mom is supposed to come and bring it back to the nest (and keeping dogs inside)
	5:57pm Dean: Not even done well. I think I have a greater enjoyment of theater, for example, when performed by high school or community theater groups than by "professionals." The latter are too expensive, and most of our exposure to them is in film, which has nothing to do with acting. I love the intensity of timing and space in a production with amateur actors. They are torn between a competition with "actors" they know (from film, hence not actors) and the brute fact of being on stage in front of dozens or hundreds of viewers, and among their peers. It is an astonishing experience all around.
	5:59pm Dean: And as for reading, every exercise is physical. Reading a book means holding and touching a book.
	6:08pm fred: ↳ Dean @5:57 I got that in dance, still do at times. I guess I became more appreciative of the skill involved. What I really can't stand is well-funded choreographers using people to supposedly critique my voyeurism when I was open to see what would happen and he just put a woman with no legs in front just shaming me for looking. Am I the one exploiting there? I paid, he got paid. He had a choice, mine was to leave, which I wouldn't do because it could get better
	6:09pm spodiodi: Well ya never know… Godspeed , little birdy ☀️
	6:09pm Observations: ↳ Song: "Sea Horse Procession" by "Zusaan Kali Fasteau & D... CD 1 recorded in Leiden, Holland, May 1975. CD 2 recorded live in concert in Ankara, Turkey on March 6, 1977
	6:11pm Observations: ↳ Song: "Equinox" by "John Coltrane" Bass – Donald Raphael Garrett, Reggie Workman Drums – Elvin Jones Piano – McCoy Tyner Tenor Saxophone, Soprano Saxophone – John Coltrane
	6:12pm Observations: ↳ Song: "Equinox" by "John Coltrane" Recorded live at the Sutherland Hotel Lounge, Chicago, March 1 1961
	6:18pm fred: ↳ fred @6:08 Tania Carvalho did a great piece with the same dancers, the same day. She didn't make it about her
	6:21pm Dean: Whence the exploitation? I am wary of notions of "cultural appropriation," a species of exploitation, mostly because cultural appropriation is the water in which we swim. It's cynical when a corporation leverages it for profits, but otherwise it's how we engage with each other.
	6:32pm fred: ↳ Dean @6:21 The exploitation is when his whole piece was having disabled people just standing there staring. I guess there might have been a message, but the contrast with Carvalho was telling. She created a piece for them, their disabilities were integrated, not showcased, so irrelevant. I mean, it took other dancers to support one who couldn't stand on her own to figure out why her amazing ground work was all she did, it didn't matter. The other guy had her crawl
	6:52pm Observations: ↳ Song: "Three For A Quarter" by "Archie Shepp" From the same session as Archie Shepp – Live In San Francisco February 19th, 1966
	6:56pm Observations: ↳ Song: "Three For A Quarter" by "Archie Shepp" Archie Shepp – tenor saxophone Roswell Rudd – trombone Donald Garrett – bass Lewis Worrell – bass Beaver Harris – drums
	7:15pm Observations: ↳ Song: "Smiley Etc." by "Smiley Winters" folkways.si.edu...
	🥁 7:31pm WR: ↳ Song: "Smiley Etc." by "Smiley Winters" somehow this Winters record is new to me. Barbara Donald on trumpet was tearing it up.
	7:37pm Observations: ↳ WR @7:31 overall it's good, but DRG is only on this one track
	7:55pm Observations: ↳ Song: "Blood On The Cross" by "The Jazz Doctors" cadillac77.bandcamp.com...
	7:56pm Observations: ↳ Song: "Blood On The Cross" by "The Jazz Doctors" Tenor Saxophone – Frank Lowe Violin – Billy Bang Bass – Rafael Garrett Drums – Dennis Charles Recorded: Wave Studios, London 8th, 15th, 17th Nov 1983
	7:58pm DavidJ: Big Jazz Doctors fan here! This is a great show.
	7:58pm Observations: ↳ Song: "On Donald Rafael Garrett" by "Ronnie Burrage" www.discogs.com...
	8:00pm Observations: ↳ Song: "Desert Blues" by "Zusaan Kali Fasteau & Donald Ra... CD 2 recorded live in concert in Ankara, Turkey on March 6, 1977
	8:09pm Observations: ↳ DavidJ @7:58 😎🙏
	8:14pm Observations: ↳ Song: "African Blues" by "Archie Shepp" Bass – Raphael Don Garrett Drums – Muhammad Ali Flute, Vocals – Zusaan Fasteau Garrett Piano – Dave Burrell Tenor Saxophone – Archie Shepp
	8:21pm Observations: ↳ Song: "African Blues" by "Archie Shepp" www.discogs.com...
	8:21pm Observations: ↳ Song: "African Blues" by "Archie Shepp" www.discogs.com...
	8:26pm Feltron: African blues is fantastic never heard it before Great show David
	8:27pm Observations: ↳ Feltron @8:26 composed by Dave Burrell
	8:27pm Observations: ↳ Feltron @8:26 Thanks! 😎🙏
	🥁 8:36pm WR: ↳ Song: "African Blues" by "Archie Shepp" new to me recording. Great.
	8:37pm Feltron: Just bought African blues as a birthday present for myself thanks heping me too it!
	🥁 8:42pm WR: I had never been sure about Raphael Garrett being same as Donald Garrett who worked with Coltrane & Shepp. If I had known about that Shepp concert recording with Kali Fasteau and Garrett then I would have known. Going into a family thing now, will catch the rest of the episode from the archive. Many thanks, David!
	9:18pm David J: I keep running across this correction to the Coltrane Reference that says DRG didn’t play bass clarinet on Kulu Se Mama - but they don’t say who did! Anyone know anything about this? http://wildmusic-jazz.com/jcr_1965.htm#jcrd650930
	9:28pm Observations: ↳ David J @9:18 Interesting, thanks for sharing. I'll just add I've never seen a pic of DRG with a bass clarinet, but there is a pic of him with a "regular" clarinet on wiki: en.wikipedia.org...
	9:32pm Observations: 10:00 – 1:00am (ET) :::::: Live from New Jersey’s legendary Starlite Lounge THE HOTWIRE MANDATE with Mike Lupica wfmu.org...
	9:40pm Observations: ↳ Song: "Om" by "John Coltrane" “The clarified butter” 🧈
	9:50pm Observations: ↳ Song: "Om" by "John Coltrane" a verse from chapter nine of the Bhagavad Gita: "Rites that the Vedas ordain, and the rituals taught by the scriptures, all these am I, and the offering made to the ghosts of the fathers, herbs of healing and food. The mantram. The clarified butter. I, the oblation and I, the flame into which it is offered. I am the sire of the world, and this world's mother and grandsire. I am he who awards to each the fruit of his action. I make all things clean. I am Om!"
	9:59pm spodiodi: thank you, David! amazing show.
	9:59pm DavidJ: Thanks, David, that was great. I didn’t know about your show!
	10:00pm Observations: Thanks one and all, see you back here next wee

Observations of Deviance with David Mittleman: Playlist from June 15, 2024

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Observations of Deviance is a vinyl focused, free form program that harkens back to early days of underground FM radio. Your host, David Mittleman, hunts down the most exotic, unusual and off-the-beaten-track music from around the world in a number of genres: Spiritual Jazz, Free Improvisation, Experimental Electronics, Ethnographic Oddities and World-Wide Psychedelic Funk. You are guaranteed to hear sounds you’ve never heard before.

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Upcoming events:

Sat. Nov 23rd, 5pm - 10pm: Islands In-Between: 5-Hours Inside Indonesian Music (More info...)
In a special 5-hour episode, host David Mittleman will showcase the music of Indonesia with rare vintage vinyl from his collection.
Sat. Nov 30th, 7pm - 10pm: Kassa Overall Interview: Connecting Jazz & Hip Hop (More info...)
Grammy nominated Kassa Overall is at the forefront of 21st Century Jazz. As a drummer, bandleader, composer, producer and DJ he seamlessly weaves the threads that connect experimental Jazz and Hip Hop, while remaining true to his musical mentors, e.g. Geri Allen and Billy Hart. While on tour in Tucson, Arizona, Kassa joined host David Mittleman for an exclusive interview that will highlight a 3-hour exploration of his varied discography.
Sat. Dec 7th, 7pm - 10pm: Nduduzo Makhathini Interview: Ancient Zulu Cosmology & Contemporary Jazz (More info...)
Pianist, teacher, scholar, healer and PhD recipient Nduduzo Makhathini is the first musician from South Africa to be signed to Blue Note Records. His art connects ancient Zulu cosmology and contemporary creative Jazz. While on tour in Tucson, Arizona, Makhathini joined host David Mittleman for an exclusive interview that will centerpiece a three-hour survey of his spiritually based music.

June 15, 2024: The Music of Donald Rafael Garrett

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Artist	Track	Album	Label	Year	Comments	Approx. start time

Zusaan Kali Fasteau & Donald Rafael Garrett	Wind And Water	Memoirs Of A Dream	Flying Note	2000		0:04:05 (Pop-up)
William Parker / Cooper-Moore / Hamid Drake	For Rafael Garrett	Heart Trio	AUM Fideltity	2024	https://williamparker.bandcamp.com/album/heart-trio-2	0:06:02 (Pop-up)
William Parker	On Donald Rafael Garrett	Interview - Nov. 18, 2021	N/A	2021		0:12:10 (Pop-up)
John Coltrane	Kulu Sé Mama (Juno Sé Mama)	Kulu Sé Mama	Impulse!	1966	feat. Donald Rafael Garrett	0:13:21 (Pop-up)

The Sea Ensemble	Snake Creeps Down	We Move Together	ESP-Disk'	1974	feat. Donald Rafael Garrett	0:36:16 (Pop-up)
Roland Kirk	The Call "The Call" by "Roland Kirk"	Introducing Roland Kirk	Argo	1960	feat. Donald Rafael Garrett	0:40:00 (Pop-up)
Dewey Redman	Look For The Black Star	Look For The Black Star	Fontana	1966	feat. Donald Rafael Garrett	0:48:37 (Pop-up)

Zusaan Kali Fasteau & Donald Rafael Garrett	Sea Horse Procession	Memoirs Of A Dream	Flying Note	2000		1:06:38 (Pop-up)
John Coltrane	Equinox "Equinox" by "John Coltrane"	Complete Live At The Sutherland Lounge 1961	RLR	2012	feat. Donald Rafael Garrett	1:08:43 (Pop-up)
Paul Serrano Quintet	Dream Of Igor	Blues Holiday	Riverside	1961	feat. Donald Rafael Garrett, composed by Muhal Richard Abrams	1:25:51 (Pop-up)

The Sea Ensemble	Infinity "Infinity" by "The Sea Ensemble"	After Nature	Red	1978	feat. Donald Rafael Garrett	1:37:29 (Pop-up)
Archie Shepp	Three For A Quarter "Three For A Quarter" by "Archie Shepp"	Three For A Quarter One For A Dime	Impulse!	1969	feat. Donald Rafael Garrett	1:50:46 (Pop-up)

John Coltrane Featuring Pharoah Sanders	Cosmos	Live In Seattle	Impulse!	1971	feat. Donald Rafael Garrett	2:03:46 (Pop-up)
Smiley Winters	Smiley Etc. "Smiley Etc." by "Smiley Winters"	Smiley Etc.	Arhoolie	1969	feat. Donald Rafael Garrett	2:14:19 (Pop-up)

The Sea Ensemble	Stork Cools Its Wings	We Move Together	ESP-Disk'	1973	feat. Donald Rafael Garrett	2:33:49 (Pop-up)
Ronnie Burrage	On Donald Rafael Garrett	Interview, May 16, 2024	N/A	2024		2:53:41 (Pop-up)
The Jazz Doctors	Blood On The Cross	Intensive Care	Cadillac	1984	feat. Donald Rafael Garrett	2:54:28 (Pop-up)
Zusaan Kali Fasteau & Donald Rafael Garrett	Desert Blues	Memoirs of a Dream	Flying Note	2000		2:59:10 (Pop-up)

Archie Shepp	African Blues "African Blues" by "Archie Shepp"	Ljubljana, Yugoslavia, June 24, 1973	N/A	1973	feat. Donald Rafael Garrett	3:07:01 (Pop-up)

John Coltrane	Selflessness "Selflessness" by "John Coltrane"	Selflessness Featuring My Favorite Things	Impulse!	1968	feat. Donald Rafael Garrett	3:35:36 (Pop-up)
Zusaan Kali Fasteau & Donald Rafael Garrett	Zenith	Memoirs of a Dream	Flying Note	2000		3:50:20 (Pop-up)

John Coltrane	A Love Supreme, Pt. I - Acknowledgement	A Love Supreme: Live In Seattle	Impulse!	2021	feat. Donald Rafael Garrett	4:05:59 (Pop-up)
Charles Tolliver	On Donald Rafael Garrett	Interview Sept. 1, 2020	N/A	2020		4:27:56 (Pop-up)
The Sea Ensemble	Ouagadougou "Ouagadougou" by "The Sea Ensemble"	Manzara	Red	1977	feat. Donald Rafael Garrett	4:28:42 (Pop-up)

The Sea Ensemble	Ride Tiger To Mountain	We Move Together	ESP-Disk'	1973	feat. Donald Rafael Garrett	4:37:25 (Pop-up)
John Coltrane	Om "Om" by "John Coltrane"	Om	Impulse!	1967	feat. Donald Rafael Garrett	4:38:59 (Pop-up)

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Listener comments!
	4:46pm Observations: going live in roughly 14 minutes
	🥁 5:00pm WR: Summer special special. Hi David and folks.
	5:01pm Observations: LIVE NOW!
	5:01pm doctorjazz: Hi David, Observers!
	5:03pm Dean: Hey, ya!
	5:03pm spodiodi: Greetings,David and all !
	5:06pm Observations: ✌️👋🙏😎👋
	5:09pm Observations: ↳ Song: "For Rafael Garrett" by "William Parker / Cooper-M... the flute that William Parker plays on the track "For Rafael Garrett" on Heart Trio was made by DRG
	5:15pm Observations: DRG was here from 1954-56 The Narcotic Farm And The Little Known History America’s First Prison For Drug Addicts www.forbes.com...
	5:15pm Observations: ↳ Observations @5:15 LEXINGTON NARCOTIC FARM COLLECTION FILLS GAP history.ky.gov...
	5:16pm Observations: ↳ Observations @5:15 NARCOTIC FARM film www.narcoticfarm.com...
	🥁 5:16pm WR: ↳ Song: "For Rafael Garrett" by "William Parker / Cooper-M... Tomorrow at 3PM ET there will be a listening party on bandcamp for this Parker Cooper-Moore Drake release.
	5:17pm fred: ↳ Dean @5:03 (Follow up from previous playlist) I'm not a native speaker, so poetry is tough. I can get some of the rhythm, but not the flow of the vowels. I was making some progress, but my main tool (a magazine called Ploughshares) really fucked me using COVID as an excuse, so that put an end to that (they asked me for an extended 3 year subscription as support, then sent me 1 issue over 3 years, and I had to beg to get digital access each issue, I soon gave up on that scam)
	🥁 5:19pm WR: ↳ Song: "Kulu Sé Mama (Juno Sé Mama)" by "John Coltrane" Haven't listened to Kuli Se Mama in a long time. Formative listening for the young WR.
	🥁 5:23pm WR: ↳ WR @5:16 Clicking the link David has for the album should also have info on the "listening party". I got alert saying I am already registered to join (free but they ask for a rsvp).
	5:25pm Observations: ↳ WR @5:23 here's the RSVP link williamparker.bandcamp.com...
	5:25pm Dean: Yeah, but French poetry... I know of Ploughshares, but I don't know the content.
	5:34pm fred: ↳ Dean @5:25 The content is great, my problem is getting it
	5:35pm Dean: You get dance, fred, which must be harder to get than poetry. I say take the same posture, the same openness to reception. Having done so, you got it.
	5:36pm fred: ↳ Dean @5:25 I can't stand French, as a language mostly, and as a culture
	5:37pm Dean: Oh, wait, by "getting it" you mean literally receiving it in your mailbox! I am pretty much a fan of French and its culture.
	5:40pm fred: ↳ Dean @5:35 Maybe attending readings would help, but that would not convey the typographical choices which I was starting to value. I just can't afford poetry
	5:43pm doctorjazz: Just found a baby bird in may back yard (actually puppy Laila found it, but put it down when I told her to). Still alive, seems ok, don't know what to do except leave it and hope it's parents bring it back to the nest (really young, no feathers). (That's what it says to do when I Google it).
	5:44pm Dean: I am no fan of readings. I have to read poetry, one line at a time, one stanza at a time, one page at a time. I do not like "performances" of poetry.
	5:45pm fred: ↳ Dean @5:35 Dance is easier when you come from nothing. You sill have a body. Language is far trickier, the codes are taught, not felt
	5:46pm Dean: Dance codes aren't taught?
	5:46pm spodiodi: Pretty sure that bird doesn’t have a chance
	5:50pm fred: ↳ Dean @5:46 They are, but that's the boring part to me. I'm not talking about emotion there either. I never danced, but what I get from a dance performance is definitely physical
	5:51pm Dean: Physical is what I get from reading.
	5:52pm fred: ↳ Dean @5:51 When done well, yeah. For better or worse
	5:55pm doctorjazz: ↳ spodiodi @5:46 I suspect the same, left it where we found it, sometimes mom is supposed to come and bring it back to the nest (and keeping dogs inside)
	5:57pm Dean: Not even done well. I think I have a greater enjoyment of theater, for example, when performed by high school or community theater groups than by "professionals." The latter are too expensive, and most of our exposure to them is in film, which has nothing to do with acting. I love the intensity of timing and space in a production with amateur actors. They are torn between a competition with "actors" they know (from film, hence not actors) and the brute fact of being on stage in front of dozens or hundreds of viewers, and among their peers. It is an astonishing experience all around.
	5:59pm Dean: And as for reading, every exercise is physical. Reading a book means holding and touching a book.
	6:08pm fred: ↳ Dean @5:57 I got that in dance, still do at times. I guess I became more appreciative of the skill involved. What I really can't stand is well-funded choreographers using people to supposedly critique my voyeurism when I was open to see what would happen and he just put a woman with no legs in front just shaming me for looking. Am I the one exploiting there? I paid, he got paid. He had a choice, mine was to leave, which I wouldn't do because it could get better
	6:09pm spodiodi: Well ya never know… Godspeed , little birdy ☀️
	6:09pm Observations: ↳ Song: "Sea Horse Procession" by "Zusaan Kali Fasteau & D... CD 1 recorded in Leiden, Holland, May 1975. CD 2 recorded live in concert in Ankara, Turkey on March 6, 1977
	6:11pm Observations: ↳ Song: "Equinox" by "John Coltrane" Bass – Donald Raphael Garrett, Reggie Workman Drums – Elvin Jones Piano – McCoy Tyner Tenor Saxophone, Soprano Saxophone – John Coltrane
	6:12pm Observations: ↳ Song: "Equinox" by "John Coltrane" Recorded live at the Sutherland Hotel Lounge, Chicago, March 1 1961
	6:18pm fred: ↳ fred @6:08 Tania Carvalho did a great piece with the same dancers, the same day. She didn't make it about her
	6:21pm Dean: Whence the exploitation? I am wary of notions of "cultural appropriation," a species of exploitation, mostly because cultural appropriation is the water in which we swim. It's cynical when a corporation leverages it for profits, but otherwise it's how we engage with each other.
	6:32pm fred: ↳ Dean @6:21 The exploitation is when his whole piece was having disabled people just standing there staring. I guess there might have been a message, but the contrast with Carvalho was telling. She created a piece for them, their disabilities were integrated, not showcased, so irrelevant. I mean, it took other dancers to support one who couldn't stand on her own to figure out why her amazing ground work was all she did, it didn't matter. The other guy had her crawl
	6:52pm Observations: ↳ Song: "Three For A Quarter" by "Archie Shepp" From the same session as Archie Shepp – Live In San Francisco February 19th, 1966
	6:56pm Observations: ↳ Song: "Three For A Quarter" by "Archie Shepp" Archie Shepp – tenor saxophone Roswell Rudd – trombone Donald Garrett – bass Lewis Worrell – bass Beaver Harris – drums
	7:15pm Observations: ↳ Song: "Smiley Etc." by "Smiley Winters" folkways.si.edu...
	🥁 7:31pm WR: ↳ Song: "Smiley Etc." by "Smiley Winters" somehow this Winters record is new to me. Barbara Donald on trumpet was tearing it up.
	7:37pm Observations: ↳ WR @7:31 overall it's good, but DRG is only on this one track
	7:55pm Observations: ↳ Song: "Blood On The Cross" by "The Jazz Doctors" cadillac77.bandcamp.com...
	7:56pm Observations: ↳ Song: "Blood On The Cross" by "The Jazz Doctors" Tenor Saxophone – Frank Lowe Violin – Billy Bang Bass – Rafael Garrett Drums – Dennis Charles Recorded: Wave Studios, London 8th, 15th, 17th Nov 1983
	7:58pm DavidJ: Big Jazz Doctors fan here! This is a great show.
	7:58pm Observations: ↳ Song: "On Donald Rafael Garrett" by "Ronnie Burrage" www.discogs.com...
	8:00pm Observations: ↳ Song: "Desert Blues" by "Zusaan Kali Fasteau & Donald Ra... CD 2 recorded live in concert in Ankara, Turkey on March 6, 1977
	8:09pm Observations: ↳ DavidJ @7:58 😎🙏
	8:14pm Observations: ↳ Song: "African Blues" by "Archie Shepp" Bass – Raphael Don Garrett Drums – Muhammad Ali Flute, Vocals – Zusaan Fasteau Garrett Piano – Dave Burrell Tenor Saxophone – Archie Shepp
	8:21pm Observations: ↳ Song: "African Blues" by "Archie Shepp" www.discogs.com...
	8:21pm Observations: ↳ Song: "African Blues" by "Archie Shepp" www.discogs.com...
	8:26pm Feltron: African blues is fantastic never heard it before Great show David
	8:27pm Observations: ↳ Feltron @8:26 composed by Dave Burrell
	8:27pm Observations: ↳ Feltron @8:26 Thanks! 😎🙏
	🥁 8:36pm WR: ↳ Song: "African Blues" by "Archie Shepp" new to me recording. Great.
	8:37pm Feltron: Just bought African blues as a birthday present for myself thanks heping me too it!
	🥁 8:42pm WR: I had never been sure about Raphael Garrett being same as Donald Garrett who worked with Coltrane & Shepp. If I had known about that Shepp concert recording with Kali Fasteau and Garrett then I would have known. Going into a family thing now, will catch the rest of the episode from the archive. Many thanks, David!
	9:18pm David J: I keep running across this correction to the Coltrane Reference that says DRG didn’t play bass clarinet on Kulu Se Mama - but they don’t say who did! Anyone know anything about this? http://wildmusic-jazz.com/jcr_1965.htm#jcrd650930
	9:28pm Observations: ↳ David J @9:18 Interesting, thanks for sharing. I'll just add I've never seen a pic of DRG with a bass clarinet, but there is a pic of him with a "regular" clarinet on wiki: en.wikipedia.org...
	9:32pm Observations: 10:00 – 1:00am (ET) :::::: Live from New Jersey’s legendary Starlite Lounge THE HOTWIRE MANDATE with Mike Lupica wfmu.org...
	9:40pm Observations: ↳ Song: "Om" by "John Coltrane" “The clarified butter” 🧈
	9:50pm Observations: ↳ Song: "Om" by "John Coltrane" a verse from chapter nine of the Bhagavad Gita: "Rites that the Vedas ordain, and the rituals taught by the scriptures, all these am I, and the offering made to the ghosts of the fathers, herbs of healing and food. The mantram. The clarified butter. I, the oblation and I, the flame into which it is offered. I am the sire of the world, and this world's mother and grandsire. I am he who awards to each the fruit of his action. I make all things clean. I am Om!"
	9:59pm spodiodi: thank you, David! amazing show.
	9:59pm DavidJ: Thanks, David, that was great. I didn’t know about your show!
	10:00pm Observations: Thanks one and all, see you back here next wee

Observations of Deviance with David Mittleman: Playlist from June 15, 2024

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