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Tangents, parenthetical asides, and digressions.
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Artist | Track | Album | Label | New | Approx. start time | |||||
---|---|---|---|---|---|---|---|---|---|---|
The Ex & Brass Unbound | Bicycle Illusion | Enormous Door | Ex Records | * | 0:00:00 (Pop-up) | |||||
Pere Ubu | Modern Dance | Live at the Longhorn, April 1, 1978 | Nero's Neptune | * | 0:06:37 (Pop-up) | |||||
Daft Punk | Instant Crush | Random Access Memories | Columbia | * | 0:11:17 (Pop-up) | |||||
Lynsey de Paul | Love Bomb | Into My Music | RPM | * | 0:17:07 (Pop-up) | |||||
Doug Hream Blunt | Gentle Persuasion | Under the Influence Volume Three | Z | * | 0:21:14 (Pop-up) | |||||
Ramesh | Sharm-E Boos-E | Ramesh | Pharaway Sounds | * | 0:28:17 (Pop-up) | |||||
The Pastels | Night Time Made Us | Slow Summits | Domino | * | 0:38:44 (Pop-up) | |||||
The Bats | By Night | By Night EP | Captured Tracks / Flying Nun | * | 0:43:10 (Pop-up) | |||||
The Bats | North by North | Daddy's Highway | Flying Nun | 0:45:52 (Pop-up) | ||||||
Françoise Hardy | Suzanne | Midnight Blues: Paris London 1968-72 | Ace | * | 0:49:41 (Pop-up) | |||||
Sophia Knapp (featuring AOP) | Times Square | RSD 7" Single | Electric Rag | 0:52:50 (Pop-up) | ||||||
Human Switchboard | (Say No to) Saturday's Girl | Who's Landing in My Hangar? Anthology 1977-1984 | Bar None | 0:56:13 (Pop-up) | ||||||
The Everymen | Down in Bermuda | Who Wrote These Songs? 7" EP | Oedipus | * | 1:07:18 (Pop-up) | |||||
Oblivians | Back Street Hangout | Desperation | In The Red | * | 1:09:58 (Pop-up) | |||||
Black Lips | I Wanna Dance with You | Black Lips/Mark Sultan Split 7" | HoZac | * | 1:13:19 (Pop-up) | |||||
Pleasure Leftists | Not Over | Elephant Men 7" | Katorga Works | * | 1:16:25 (Pop-up) | |||||
The Electric Prunes | All the King's Horses | "In Fuzz We Trust" Preview Single | Stag-O-Lee | * | 1:20:35 (Pop-up) | |||||
Ariel Pink's Haunted Graffiti & Dam-Funk | Baby | Baby 7" | Light in the Attic | * | 1:24:01 (Pop-up) | |||||
The Afghan Whigs | Creep | Honky's Ladder EP | Elektra | 1:28:37 (Pop-up) | ||||||
Mikal Cronin | I'm Done Running From You | MCII | Merge | * | 1:46:38 (Pop-up) | |||||
Beat 4 | Llorar por ti | Habia Una Vez | Normal | * | 1:49:15 (Pop-up) | |||||
Ramires! | Accion! | Combi Rock Algorecords | Algo | * | 1:52:06 (Pop-up) | |||||
Louisiana Red | Who Dat? | Jerk Boom Bam! Vol. 5 | Jerk Boom Bam | * | 1:56:01 (Pop-up) | |||||
The Cowsills | Silver Threads and Golden Needles | Painting the Day | él / Cherry Red | 1:58:54 (Pop-up) | ||||||
The Damned | Morning Bird | Nicked Names: Gaylord Fields's 2013 WFMU Marathon Premium | WFMU | * | 2:07:31 (Pop-up) | |||||
Nico Gomez & His Afro Percussion Inc. | Baila Chibiquiban | Ritual | Mr. Bongo | * | 2:09:57 (Pop-up) | |||||
Tom Zé | Parque Industrial | Grande Liquidação | Mr. Bongo | * | 2:13:01 (Pop-up) | |||||
Emily | Sunflower Seeds | Emily | RPM | * | 2:15:39 (Pop-up) | |||||
Harry Nilsson | As Time Goes By | A Little Touch of Schmilsson in the Night | RCA | 2:19:08 (Pop-up) | ||||||
Dump | I Don't Mind | The Silent Treatment | Grapefruit | * | 2:21:44 (Pop-up) | |||||
Hawkwind | Magnu | Warrior on the Edge of Time | Cherry Red | * | 2:33:45 (Pop-up) | |||||
The Fall | Jetplane | Re-Mit | Cherry Red | * | 2:41:15 (Pop-up) | |||||
Ulan Bator | Ah Ham | En France / En Transe | Acid Cobra | * | 2:44:23 (Pop-up) | |||||
Codeine | Cave-In | What About the Lonely? | Numero Group | * | 2:50:01 (Pop-up) | |||||
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Listener comments!
BadGuyZero:
Therese:
KP:
Therese:
slocker:
_crazyandy_______________________________:
KP:
Therese:
BadGuyZero:
I'm going to 66.6% of those shows. *hee!*
Droll:
_crazyandy_______________________________:
BadGuyZero:
They had previously announced that they would be closing out Fuck Yeah Fest in LA so that's likely why they're hitting the West Coast and the Southern Midwest. I'm sure they'll be visiting the East Coast early next year.
They're very stringent about backline and PA specs. Plus they play venues where they can play at ear-shattering volume without the likelihood of people filing noise complaints against them/the venue. All that limits the number of venues they could potentially play.
Julie:
Julie:
BadGuyZero:
_crazyandy_______________________________:
Julie:
BadGuyZero:
tinkle bear:
yay.
Julie:
Bob in DC and/or VA:
Julie:
Julie:
Therese:
Julie:
listener mark:
tinkle bear:
KP:
Therese:
KP:
BadGuyZero:
slocker:
KP:
Tome:
Limahl:
Droll:
I just had to look that up, it was too good to be true!
The Portland duo (also very good band) spells it Menomena.
Tinnitus:
BadGuyZero:
Bob in DC and/or VA:
Kurt Gottschalk:
Hoboken Jack:
G:
G:
BadGuyZero:
Therese:
BadGuyZero:
www.discogs.com...
G:
Julie:
BadGuyZero:
G:
Therese:
BadGuyZero:
BadGuyZero:
www.amazon.com...
G:
BadGuyZero:
GM:
BadGuyZero:
Muhammad Ali was "The Greatest."
G:
GM:
Julie:
Droll:
All this Amedo gatecrashing is really great radio.
BadGuyZero:
BadGuyZero:
After this crew clears out, Harry Nilsson enters the studio to record a private demo session for Chip Douglas. In 1965, Nilsson wrote "This Could Be The Night" for Douglas's group MFQ [Modern Folk Quartet]. Though they recorded it with producer Phil Spector, who featured it in the 1966 movie The Big T.N.T. Show, the song remains unissued on record and Nilsson's songwriting prowess is still relatively unknown.
At Douglas's behest, Nilsson today tapes more than ten potential songs for The Monkees to record, including "This Could Be The Night," "Cuddly Toy," "The Story Of Rock And Roll," and "Good Times." The composer just happens to be at RCA studios today to begin recording sessions for his own album, Pandemonium Shadow Show. As it turns out, Nilsson will have a long and varied association with The Monkees.
BadGuyZero:
Julie: