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Turning over the toy box and jamming together the gloriously mismatched musical Lincoln Logs, Legos and Tinker Toys from Tin Pan Alley pluggers, pickled egg tavern weepers, lockstep soul ensembles, skinny-tie power poppers, Eurotrash ravers, moontanned art school rockers, drunken soccer anthems and anything else that seems like a good idea at the time. There are no guilty pleasures.
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July 18, 2014: SPECIAL (Loss Leaders): Warner Brothers' loss is our gain.
Listen to this show:
Pop-up player!
The Warner Brothers Loss Leaders, 1969-1980 Beginning in 1969, Warner Brothers began selling samplers of music by artists on Warner Brothers, Reprise and other, associated labels. These samplers were comprised of a diverse array of artists and styles and were generally presented as double albums which sold for $2. They advertised on the inner sleeves of normal catalog product, in magazine ads, in promotional flyers and at point of sale displays. If you're of a certain age, these come-ons were ubiquitous. |
||
Labels represented: | ||
Bearsville, Berserkley, Bizarre-Reprise, Brother-Reprise, Capricorn, Casablanca, Chrysalis, Curtom, Dark Horse, DiscReet, Island, Little David, Loma Records, MGM, Palladium-Reprise, Paradise, Pentagram, Reprise, Sire, Straight-Reprise, Viva, Warner Brothers, Warner Brothers-Raccoon, Warner Brothers-Spector, Warner Brothers-Virgin, Warner-Curb, Warner-Reprise, Warner-RFC, Warner-Tattoo, Whitfield | ||
Special thanks to: | ||
Barry Hansen, Todd Everett, Charlie Haas, Ed Ward, Chaz Hill, Pete Johnson, Bob Merlis, George Kovacik and Denny Angelle |
||
Warner Brothers Loss Leader Links | ||
http://home.clara.net/fil/rocksamplers/warner.htm http://30daysout.wordpress.com/the-warnerreprise-loss-leaders-series/ http://www.bsnpubs.com/warner/warner/warnerpro.html http://www.dustbury.com/music/wbloss.html |
Artist | Track | Album | Approx. start time | |||||||
---|---|---|---|---|---|---|---|---|---|---|
Uncle Michael | Hinky Dinky Time Open | 0:00:00 (Pop-up) | ||||||||
The Everly Brothers -Wildman Fischer | T For Texas-Lord of the Manor | The 1969 Warner Reprise Songbook (Warner Bros. - 1969) | 0:02:50 (Pop-up) | |||||||
Family | Second Generation Woman | The 1969 Warner Reprise Songbook (Warner Bros. - 1969) | 0:11:08 (Pop-up) | |||||||
The Fugs | Wide, Wide River | The 1969 Warner Reprise Songbook (Warner Bros. - 1969) | 0:14:16 (Pop-up) | |||||||
The Pentangle | Sweet Child | The 1969 Warner Reprise Songbook (Warner Bros. - 1969) | 0:16:57 (Pop-up) | |||||||
The Everly Brothers | Empty Boxes | The 1969 Warner Reprise Record Show (Warner Bros. - 1969) | 0:27:24 (Pop-up) | |||||||
John Renbourn | Transfusion | The 1969 Warner Reprise Record Show (Warner Bros. - 1969) | 0:29:56 (Pop-up) | |||||||
GTOs | Time | The Big Ball (Warner Bros. - 1970) | 0:31:50 (Pop-up) | |||||||
Captain Beefheart | Ella Guru | The Big Ball (Warner Bros. - 1970) | 0:32:47 (Pop-up) | |||||||
Norman Greenbaum | Jubilee | The Big Ball (Warner Bros. - 1970) | 0:35:07 (Pop-up) | |||||||
Small Faces | Flying | The Big Ball (Warner Bros. - 1970) | 0:37:56 (Pop-up) | |||||||
The Mothers of Invention | WPLJ | The Big Ball (Warner Bros. - 1970) | 0:41:56 (Pop-up) | |||||||
Fifth Avenue Band | Nice Folks | The Big Ball (Warner Bros. - 1970) | 0:44:44 (Pop-up) | |||||||
Harper's Bizarre | Soft Sounding Music | Schlagers! (Warner Bros. - 1970) | 0:53:15 (Pop-up) | |||||||
The San Sebastian Strings | Body Surfing With The Jet Set | Schlagers! (Warner Bros. - 1970) | 0:57:14 (Pop-up) | |||||||
The Kinks | When I Turn Out The Living Room Lights | The Big Ball (Warner Bros. - 1970) | 0:59:28 (Pop-up) | |||||||
The Association | Dubuque Blues | Schlagers! (Warner Bros. - 1970) | 1:01:40 (Pop-up) | |||||||
Mason Williams | Cowboy | Schlagers! (Warner Bros. - 1970) | 1:04:49 (Pop-up) | |||||||
The Neon Philharmonic | Cowboy | Schlagers! (Warner Bros. - 1970) | 1:08:28 (Pop-up) | |||||||
Miriam Makeba | For What It's Worth | Schlagers! (Warner Bros. - 1970) | 1:10:43 (Pop-up) | |||||||
Watts 103rd Street Rhythm Band | Love Land | Schlagers! (Warner Bros. - 1970) | 1:17:36 (Pop-up) | |||||||
Dion | You Can't Judge A Book By Its Cover | Schlagers! (Warner Bros. - 1970) | 1:20:32 (Pop-up) | |||||||
Judy Henske & Jerry Yester | St. Nicholas Hall | Zapped (Warner Bros. - 1970) | 1:23:57 (Pop-up) | |||||||
Jimmy Webb | P.F. Sloan | Looney Tunes & Merrie Melodies (Warner Bros. - 1970) | 1:27:26 (Pop-up) | |||||||
John Simon | Elves | Looney Tunes & Merrie Melodies (Warner Bros. - 1970) | 1:31:15 (Pop-up) | |||||||
John Gordon & Larry Lipades | Radio Spot: Chip Dip | Looney Tunes & Merrie Melodies (Warner Bros. - 1970) | 1:35:24 (Pop-up) | |||||||
John Gordon & Larry Lipades | Radio Spot: It's The Plastic | Looney Tunes & Merrie Melodies (Warner Bros. - 1970) | 1:42:35 (Pop-up) | |||||||
Lovecraft | Love Has Come To Me | Looney Tunes & Merrie Melodies (Warner Bros. - 1970) | 1:43:41 (Pop-up) | |||||||
Fleetwood Mac | Tell Me | Looney Tunes & Merrie Melodies (Warner Bros. - 1970) | 1:46:38 (Pop-up) | |||||||
Long John Baldry | It Ain't Easy | Hot Platters (Warner Bros. - 1971) | 1:50:39 (Pop-up) | |||||||
Ron Nagle | Marijuna Hell | Hot Platters (Warner Bros. - 1971) | 1:55:17 (Pop-up) | |||||||
Halfnelson | Biology 2 | The Whole Burbank Catalog (Warner Bros. - 1972) | 1:57:49 (Pop-up) | |||||||
Warner Bros. Television | Sgt. Preston of the Yukon | The Whole Burbank Catalog (Warner Bros. - 1972) | 2:04:58 (Pop-up) | |||||||
Daddy Cool | Eagle Rock | The Whole Burbank Catalog (Warner Bros. - 1972) | 2:06:02 (Pop-up) | |||||||
Jackie Lomax | Lavender Dream | The Whole Burbank Catalog (Warner Bros. - 1972) | 2:10:28 (Pop-up) | |||||||
Arthur Alexander | It Hurts To Want It So Bad | The Whole Burbank Catalog (Warner Bros. - 1972) | 2:14:34 (Pop-up) | |||||||
Jesse Collin Young | It's A Lovely Day | Middle of the Road (Warner Bros. - 1972) | 2:16:44 (Pop-up) | |||||||
Kenny Rogers & the First Edition | Write Me Down | Middle of the Road (Warner Bros. - 1972) | 2:18:49 (Pop-up) | |||||||
Beach Boys | Caroline No | Middle of the Road (Warner Bros. - 1972) | 2:21:12 (Pop-up) | |||||||
John Fahey | Steamboat | Burbank (Warner Bros. - 1972) | 2:28:04 (Pop-up) | |||||||
Alice Cooper | Public Animal #9 | Burbank (Warner Bros. - 1972) | 2:32:03 (Pop-up) | |||||||
Tower of Power | Down To The Nightclub | Burbank (Warner Bros. - 1972) | 2:35:40 (Pop-up) | |||||||
Roxy Music | Virginia Plain | The Days of Wine and Vinyl (Warner Bros. - 1972) | 2:38:17 (Pop-up) | |||||||
Bonnie Raitt | Too Long At The Fair | The Days of Wine and Vinyl (Warner Bros. - 1972) | 2:41:02 (Pop-up) | |||||||
John Cale | Paris 1919 | Appetizers (Warner Bros. - 1973) | 2:43:51 (Pop-up) | |||||||
Deep Purple | I'm All Alone | Appetizers (Warner Bros. - 1973) | 2:51:38 (Pop-up) | |||||||
Labat | Amphibian Chaff | All Singing, All Talking, All Rocking (Warner Bros. - 1973) | 2:54:35 (Pop-up) | |||||||
Peter Yarrow | Wayfaring Stranger | All Singing, All Talking, All Rocking (Warner Bros. - 1973) | 2:55:33 (Pop-up) | |||||||
The Sopwith Camel | Dancin' Wizard | All Singing, All Talking, All Rocking (Warner Bros. - 1973) | 2:58:27 (Pop-up) | |||||||
Tim Buckley | Sally Go Round The Roses | All Singing, All Talking, All Rocking (Warner Bros. - 1973) | 3:01:23 (Pop-up) | |||||||
Osibisa | Go | Hard Goods (Warner Bros. - 1974) | 3:04:49 (Pop-up) | |||||||
Denver, Boise & Johnson | The '68 Nixon (This Year's Model) | Hard Goods (Warner Bros. - 1974) | 3:08:44 (Pop-up) | |||||||
Terry Melcher | Dr. Horowitz | Hard Goods (Warner Bros. - 1974) | 3:15:50 (Pop-up) | |||||||
Graham Central Station | Waiting | Hard Goods (Warner Bros. - 1974) | 3:18:35 (Pop-up) | |||||||
Kiss | Strutter | Hard Goods (Warner Bros. - 1974) | 3:19:37 (Pop-up) | |||||||
Good Rats | Back To My Music | Deep Ear (Warner Bros. - 1974) | 3:22:45 (Pop-up) | |||||||
The Meters | Jungle Man | Deep Ear (Warner Bros. - 1974) | 3:25:28 (Pop-up) | |||||||
The Peter Peter Ivers Band | Alpha Centauri | Deep Ear (Warner Bros. - 1974) | 3:28:44 (Pop-up) | |||||||
Doug Sahm Tex Mex Trip | Groover's Paradise | Deep Ear (Warner Bros. - 1974) | 3:31:39 (Pop-up) | |||||||
Montrose | I Got The Fire | The Force (Warner Bros. - 1975) | 3:37:49 (Pop-up) | |||||||
Mike McGear | Norton | The Force (Warner Bros. - 1975) | 3:40:56 (Pop-up) | |||||||
Kenny Rankin | In The Name Of Love | The Force (Warner Bros. - 1975) | 3:43:26 (Pop-up) | |||||||
Allen Toussaint | Country John | Burbank's Finest: 100% All Meat (Warner Bros. - 1975) | 3:46:43 (Pop-up) | |||||||
Curtis Mayfield | So In Love With You | Burbank's Finest: 100% All Meat (Warner Bros. - 1975) | 3:51:22 (Pop-up) | |||||||
Emmylou Harris | Bluebird Wine | Burbank's Finest: 100% All Meat (Warner Bros. - 1975) | 3:56:27 (Pop-up) | |||||||
Randy Newman | Birmingham | I Didn't Know They Still Made Records Like This (Warner Bros. - 1975) | 4:03:26 (Pop-up) | |||||||
Leo Sayer | One Man Band | I Didn't Know They Still Made Records Like This (Warner Bros. - 1975) | 4:06:06 (Pop-up) | |||||||
Little Feat | One Love Stand | The Works (Warner Bros. - 1975) | 4:09:22 (Pop-up) | |||||||
Bellamy Brothers | Let Yor Love Flow | Supergroup (Warner Bros. - 1976) | 4:13:39 (Pop-up) | |||||||
Michael Franks | Monkey See, Monkey Do | Supergroup (Warner Bros. - 1976) | 4:16:42 (Pop-up) | |||||||
Billy Joe Shaver | Texas Uphere Tennessee | The People's Record (Warner Bros. - 1976) | 4:20:02 (Pop-up) | |||||||
Rod Stewart | The Killing of Georgie | The People's Record (Warner Bros. - 1976) | 4:27:26 (Pop-up) | |||||||
Charles Wright And The Watts 103rd Street Rhythm Band | Express Yourself | Cook Book (Warner Bros. - 1977) | 4:33:57 (Pop-up) | |||||||
Eddie Hazel | California Dreamin' | Limo (Warner Bros. - 1977) | 4:37:23 (Pop-up) | |||||||
The Henhouse Five Plus Two | In the Mood | Limo (Warner Bros. - 1977) | 4:43:30 (Pop-up) | |||||||
The Gabby Pahinui Hawaiian Band | What a Way to End it All | Limo (Warner Bros. - 1977) | 4:46:03 (Pop-up) | |||||||
4:48:27 (Pop-up) | ||||||||||
Bootsy's Rubber Band | Bootzilla | Collectus Interruptus (Warner Bros. - 1978) | 4:52:14 (Pop-up) | |||||||
Prince | Soft & Wet | Collectus Interruptus (Warner Bros. - 1978) | 4:57:54 (Pop-up) | |||||||
Van Halen | Runnin' With the Devil | Collectus Interruptus (Warner Bros. - 1978) | 5:01:23 (Pop-up) | |||||||
Sex Pistols | God Save the Queen | Collectus Interruptus (Warner Bros. - 1978) | 5:04:43 (Pop-up) | |||||||
Devo | Mongoloid | Pumping Vinyl (Warner Bros. - 1979) | 5:07:59 (Pop-up) | |||||||
B52's | Rock Lobster | A La Carte (Warner Bros. - 1979) | 5:14:38 (Pop-up) | |||||||
Lowell George | I Can't Stand The Rain | Monsters (Warner Bros. - 1979) | 5:19:29 (Pop-up) | |||||||
Tin Huey | Hump Day | Monsters (Warner Bros. - 1979) | 5:22:27 (Pop-up) | |||||||
The Roches | We | Monsters (Warner Bros. - 1979) | 5:25:21 (Pop-up) | |||||||
Talking Heads | Drugs | Eclipse (Warner Bros. - 1980) | 5:31:58 (Pop-up) | |||||||
The Ramones | I Want You Around | Eclipse (Warner Bros. - 1980) | 5:37:18 (Pop-up) | |||||||
Bob Marley & the Wailers | Wake Up and Live | Eclipse (Warner Bros. - 1980) | 5:40:57 (Pop-up) | |||||||
The Korgis | If I Had You | Eclipse (Warner Bros. - 1980) | 5:44:26 (Pop-up) | |||||||
The Modern Lovers | I'm Straight | Troublemakers (Warner Bros. - 1980) | 5:49:49 (Pop-up) | |||||||
Gang of Four | Damaged Goods | Troublemakers (Warner Bros. - 1980) | 5:53:56 (Pop-up) | |||||||
Urban Verbs | Subway | Troublemakers (Warner Bros. - 1980) | 5:57:18 (Pop-up) | |||||||
Public Image | Public Image Ltd. | Troublemakers (Warner Bros. - 1980) | 6:00:42 (Pop-up) | |||||||
Buggles | Video Killed the Radio Star | Troublemakers (Warner Bros. - 1980) | 6:03:36 (Pop-up) | |||||||
Music behind DJ: Fleetwood Mac |
Albatross |
6:06:34 (Pop-up) |
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Live Audio Streams for Give the Drummer Radio: Pop-up | 128k MP3 (More streams: [+])
Listener comments!
Droll:
Oh, sorry, someone left the door unlocked. I thought nobody would mind... I didn't realize the mic was on. Here's your clipboard back.
You really ought to keep that door locked, though.
Uncle Michael:
pacific standard simon:
duke:
Uncle Michael:
duke:
glenn:
listener james from westwood:
Uncle Michael:
Stanley:
glenn:
Doug Schulkind:
Uncle Michael:
Uncle Michael:
V Priceless:
ndbob:
listener james from westwood:
listener james from westwood:
V Priceless:
Uncle Michael:
Uncle Michael:
ndbob:
listener james from westwood:
Uncle Michael:
Brian in UK:
Brian in UK:
glenn:
listener james from westwood:
glenn:
listener james from westwood:
V Priceless:
Brian in UK:
Dominick:
Uncle Michael:
glenn:
Lewis:
northguineahills:
Lewis:
Uncle Michael:
EzSezz:
glenn:
V Priceless:
Uncle Michael:
Lewis:
glenn:
MrC:
V Priceless:
Uncle Michael:
Webhamster Henry:
holland oats:
Uncle Michael:
glenn:
Uncle Michael:
Doug Schulkind:
Uncle Michael:
glenn:
Uncle Michael:
glenn:
Webhamster Henry:
ndbob:
Uncle Michael:
ndbob:
northguineahills:
Dominick:
ndbob:
βrian:
bobdc:
V Priceless:
Webhamster Henry:
Uncle Michael:
I'm glad you folks are digging this.
Uncle Michael:
northguineahills:
V Priceless:
listener james from westwood:
Raissa:
ndbob:
Webhamster Henry:
www.echonyc.com...
Check out similar material from Bob Purse on the WFMU blog!
glenn:
V Priceless:
Uncle Michael:
V Priceless:
pacific standard simon:
Uncle Michael:
bobdc:
Uncle Michael:
Lewis:
Uncle Michael:
pacific standard simon:
Uncle Michael:
glenn:
Uncle Michael:
pacific standard simon:
Uncle Michael:
Lewis:
V Priceless:
Uncle Michael:
V Priceless:
pacific standard simon:
northguineahills:
Uncle Michael:
Uncle Michael:
V Priceless:
pacific standard simon:
listener james from westwood:
northguineahills:
pacific standard simon:
glenn:
Brian in UK:
βrian:
Dominick:
listener james from westwood:
duke:
Uncle Michael:
A friend of mine interviewed Sloan on KPFA Wednesday night. He's bonkers.
Brian in UK:
No changed then Uncle.
glenn:
V Priceless:
Brian in UK:
glenn:
ndbob:
pacific standard simon:
Webhamster Henry:
βrian:
Webhamster Henry:
Alex In Illinois:
βrian:
Uncle Michael:
pacific standard simon:
Uncle Michael:
V Priceless:
ndbob:
Uncle Michael:
Webhamster Henry:
listener james from westwood:
ndbob:
Uncle Michael:
CGHill:
Uncle Michael:
P-90:
Uncle Michael:
CGHill:
Uncle Michael:
Slanzy:
ndbob:
northguineahills:
Lane Steelpicker:
northguineahills:
Uncle Michael:
Dean:
Uncle Michael:
pacific standard simon:
Lane Steelpicker:
Mike East:
duke:
duke:
Uncle Michael:
Dominick:
Uncle Michael:
Mike East:
Dean:
CGHill:
Uncle Michael:
Uncle Michael:
V Priceless:
Dominick:
Uncle Michael:
pacific standard simon:
Uncle Michael:
listener james from westwood:
Uncle Michael:
V Priceless:
pacific standard simon:
"Fathom Events and Rhino Entertainment are excited to present the Grateful Dead Meet Up 2014. A complete live studio performance of the Grateful Dead captured during their legendary European tour in 1972 with audio remastered from the original analog tapes! Never officially released and never before seen in its entirety, the Berlin Beat Club studio performance features the classic 1972 lineup, and captures the Dead in their prime!"
I passed, but it sounds interesting.
Uncle Michael:
Uncle Michael:
V Priceless:
Uncle Michael:
pacific standard simon:
Dean:
pacific standard simon:
Dean:
Alex In Illinois:
Just to clarify: Uncle Michael is doing a 6-hour show today! If I were to attempt that all by myself with no help, then I would get way too ornery during hour 4.
Lane Steelpicker:
Uncle Michael:
Lane Steelpicker:
pacific standard simon:
Uncle Michael:
Lane Steelpicker:
Dean:
pacific standard simon:
Dean:
Uncle Michael:
Dean:
pacific standard simon:
ndbob:
Uncle Michael:
Dean:
Dean:
Uncle Michael:
Mike East:
listener james from westwood:
listener james from westwood:
ndbob:
listener james from westwood:
ndbob:
V Priceless:
Dean:
pacific standard simon:
Uncle Michael:
pacific standard simon:
Uncle Michael:
Dominick:
V Priceless:
Dean:
pacific standard simon:
V Priceless:
V Priceless:
pacific standard simon:
listener james from westwood:
Uncle Michael:
Uncle Michael:
Uncle Michael:
Uncle Michael:
Lane Steelpicker:
Lane Steelpicker:
Slanzy:
pacific standard simon:
listener james from westwood:
Uncle Michael:
pacific standard simon:
listener james from westwood:
Uncle Michael:
pacific standard simon:
Uncle Michael:
johnk77:
across
from the inn of the beginning?
Uncle Michael:
pacific standard simon:
Dean:
pacific standard simon:
pacific standard simon:
holland oats:
pacific standard simon:
johnk77:
across the street
bonnie gave me
the wrong idea about
the biz in 1977
for example
front people
being cool,funny,political
and good to her
band and crew
top o the hat
to psstandard
shoutout
@mikeeast
working for a liven
johnk77:
johnk77:
frontperson
in 1977
Uncle Michael:
Dominick:
johnk77:
before then
to 2014
pacific standard simon:
johnk77:
of some of this
Dean:
Uncle Michael:
johnk77:
santa cruz county fair grounds
Dean:
anaheim convention center
Uncle Michael:
johnk77:
johnk77:
Dean:
pacific standard simon:
holland oats:
Mike East:
johnk77:
last week
@mike east
job site
johnk77:
pacific standard simon:
Mike East:
holland oats:
Uncle Michael:
johnk77:
plus cassettes
playback artist and record foh
i hope my bike ride
to @mikeeast
gets me there
>6
johnk77:
pacific standard simon:
johnk77:
and redbone
had artist controlled analog cassette
pacific standard simon:
johnk77:
type 2
w/backliine
and audio
past mickey hart's ranch
to the inn
went across
street for lunch
w/norman
CGHill:
Uncle Michael:
holland oats:
johnk77:
are u
or do u know
mark from the inn?
pacific standard simon:
Uncle Michael:
johnk77:
johnk77:
have not hung out w/him
since 1978
Uncle Michael:
johnk77:
got any original haze?
rip michael been
plus tommy + johnny etc.:<
Uncle Michael:
listener james from westwood:
pacific standard simon:
rf:
Dean:
listener james from westwood:
johnk77:
hawaiian music
Uncle Michael:
johnk77:
did u
know norton?
Uncle Michael:
listener james from westwood:
pacific standard simon:
Uncle Michael:
pacific standard simon:
pacific standard simon:
Uncle Michael:
listener james from westwood:
Uncle Michael:
pacific standard simon:
listener james from westwood:
holland oats:
karl_mundt:
V Priceless:
pacific standard simon:
listener james from westwood:
holland oats:
Uncle Michael:
pacific standard simon:
karl_mundt:
northguineahills:
holland oats:
listener james from westwood:
holland oats:
pacific standard simon:
SeanG:
pacific standard simon:
Uncle Michael:
Mike East:
holland oats:
V Priceless:
Uncle Michael:
Jack:
listener james from westwood:
Mike East:
Jack:
holland oats:
pacific standard simon:
Jack:
Webhamster Henry:
pacific standard simon:
listener james from westwood:
V Priceless:
holland oats:
Webhamster Henry:
holland oats:
pacific standard simon:
Uncle Michael:
Lane Steelpicker:
Uncle Michael:
holland oats:
Alex In Illinois:
Uncle Michael:
pacific standard simon:
Alex In Illinois:
Lane Steelpicker:
Uncle Michael:
karl_mundt:
pacific standard simon:
Lane Steelpicker:
Mike East:
northguineahills:
Lane Steelpicker:
pacific standard simon:
Dean:
Mike East:
Uncle Michael:
Lane Steelpicker:
Dean:
pacific standard simon:
Dominick:
Lewis:
Dean:
northguineahills:
pacific standard simon:
Dean:
karl_mundt:
pacific standard simon:
Uncle Michael:
pacific standard simon:
KevinfromBayRidge:
listener james from westwood:
Uncle Michael:
ndbob:
Jack:
Uncle Michael:
Uncle Michael:
Mike East:
pacific standard simon:
V Priceless:
KevinfromBayRidge:
pacific standard simon:
Uncle Michael:
karl_mundt:
Dean:
Mike East:
Uncle Michael:
Dean:
listener james from westwood:
Dominick:
Webhamster Henry:
northguineahills:
Dominick:
Uncle Michael:
pacific standard simon:
KevinfromBayRidge:
Webhamster Henry:
listener james from westwood:
Alex In Illinois:
CGHill:
pacific standard simon:
Uncle Michael:
Lane Steelpicker:
KevinfromBayRidge:
KevinfromBayRidge:
Jeff Golick:
Joel:
David in ATL from NJ:
Droll:
-----------------------------------------------
Two Cowboys on one LP? They had balls. The Neon Philharmonic one was pretty crazy! Huge production.
Nice to hear the backstory on Dr. Demento, I still have a box of cassettes I taped in the 80's of Dr. Demento by putting my shoebox recorder in front of a clock-radio. Nice to actually hear his (very young) voice at one point on the LLs.
Bologna colored vinyl. [ Pregnant pause ] Bologna colored vinyl... Shouldn't Montrose be on the bologna colored one? I think your playlist background is close to bologna colored...
70's albums could put on the slickest production without getting flashy. The arrangements use horns and strings like it ain't no thang. A dozen people on a track wasn't uncommon back then. And the super-dry sound-sucker LA sound is all over these early 70's records like the Motown or Stax sound defines those collections.
1978 seems to be the inflection point where the refined professional sonic approach was jettisoned and the DIY sound took over. It's almost as if it became uncouth to have blues roots. By 1980 every track has a synthesizer pad on it and punk was already boring and The Buggles had successfully fused the slick 70's production with the synthesizer sound.
I was never punk, a little new-wave, but mostly prog. I was a big Duran Duran fan, which is as new-wave as I got. Well, Japan... Were they New Wave or Art Pop? DD are usually written off as a teeny-bopper band, but they wrote all their own songs and played their own instruments and there are some very interesting things happening on those records, and of course, the stuff they did with Nile Rodgers deserved to be the huge hit it was.
I was pre-teen for Rock Lobster, and when I got older the B-52's never really grew on me. I was never sure if the band or their fans were being ironic or not.
I'd be interested in better understanding how the band's contracts preventing/allowed licensing for non-for-profit distribution of copyrighted music also being sold (by the selfsame company!). The promotional catalog numbers no doubt played a (legal) role in depriving artists of revenue. Zappa really truly believed Loss Leaders work, his business model needed large amounts of exposure because the expected audience was small. He was very sophisticated with the business and he would have stopped if it weren't helping.
This was a great show, a nice (albeit oddly skewed) historical perspective. Fun for music geeks, the original audience has long since moved on. I like the idea there are both business and musical reasons to explain the LL series, probably a very complicated interplay.
It just occurred to me you don't do station ID's! How am I supposed to tell time?
"Reporting on each other's research". You mean plagiarism?
I like that you plan what to play based on knowing how much your show can run over.
Thanks for the LL show -- have a fun week!
Uncle Michael: