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I play rhinoceros and psychedelic fork.
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Artist | Track | Album | Label | Year | Approx. start time | |||||
---|---|---|---|---|---|---|---|---|---|---|
The In-Theme | 0:00:00 (Pop-up) | |||||||||
Atlantis Philharmonic | Death Man | Atlantis Philharmonic | Dharma | 1974 | 0:02:00 (Pop-up) | |||||
Intra | Soda for a Symphony Jerk (1976) | Intra | Shroom | 1990 | 0:07:29 (Pop-up) | |||||
Ethos | Intrepid Traveler (1974) | Relics | Black Moon | 2000 | 0:13:31 (Pop-up) | |||||
Window | Nightwatch | The Empyreal Ballet | Cottage Records | 1978 | 0:18:12 (Pop-up) | |||||
Little Hans | Last Appearance (1972?) | Wunderkind | no label | 1999 | 0:22:11 (Pop-up) | |||||
Infinity | Fantasy (1979) | Infinity | Syn-phonic | 1996 | 0:24:23 (Pop-up) | |||||
Oho | Nocturnal Recurrence (197?) | Recollections (1974–1976) | no label | 2002 | 0:27:37 (Pop-up) | |||||
The Load | Flyaway | Praise the Load | RE: Laser's Edge | 1976 | 0:31:46 (Pop-up) | |||||
Outrageous | Faggy Goats (1975) | V.A.: Best of Baltimore's Buried Bands 2 | OHO Music | 2003 | 0:40:09 (Pop-up) | |||||
Sigmund Snopek III | Waukesha Windows | Trinity Seas Seize Sees | RE: Musea | 1974 | 0:47:04 (Pop-up) | |||||
Roberts Owen | Homage à Max Ernst | Immature Oocytes | no label | 1982 | 0:51:36 (Pop-up) | |||||
Happy the Man | Carousel | Happy the Man | Arista | 1977 | 0:55:25 (Pop-up) | |||||
Ron Crosby | Thinking | V.A.: WEBN - The Vinyl Days | Brute Force Cybernetics | 1976 | 0:59:24 (Pop-up) | |||||
Zoldar & Clark | The City (197?) | The Ghost of Way | Oxford Circus | 2008 | 1:03:36 (Pop-up) | |||||
Neige | Arthur Fiedler (1979) | V.A.: Best of Baltimore's Buried Bands 2 | OHO Music | 2003 | 1:06:33 (Pop-up) | |||||
Kansas | Hegemonium | Proto-Kaw: Early Recordings from Kansas, 1971–1973 | Cuneiform | 2002 | 1:13:28 (Pop-up) | |||||
Pentwater | Frustration Mass | Pentwater | Beef | 1977 | 1:26:10 (Pop-up) | |||||
Quasar Light | Cybernetic Killing Floor | Experience This | Jet Eye | 1981 | 1:29:46 (Pop-up) | |||||
Rudy Perone | Violet Silence | Oceans of Art | Heartstring | 1981 | 1:34:09 (Pop-up) | |||||
Gabriel Bondage | First Stone in a Pyramid | Angel Dust | Dharma | 1975 | 1:38:26 (Pop-up) | |||||
Cosmic Debris | In the Not So Still Gentleness of the Night | Cosmic Debris | Non Compos Mentis | 1980 | 1:42:10 (Pop-up) | |||||
Ram | Odyssey | Where? In Conclusion | Polydor | 1972 | 1:54:44 (Pop-up) | |||||
Raven | The Journey (1976) | Who Do You See... | Golden Pavilion | 2013 | 1:58:26 (Pop-up) | |||||
Mirthrandir | Conversation with Personality Giver | For You the Old Women | RE: Syn-phonic | 1976 | 2:03:38 (Pop-up) | |||||
Yezda Urfa | Give 'Em Some Rawhide Chewies (1976) | Sacred Baboon | Syn-phonic | 1989 | 2:12:26 (Pop-up) | |||||
Vindication | Atop of the Mountains | Vindication | Custom Fidelity | 1973 | 2:16:17 (Pop-up) | |||||
Brimstone | End of the Road | Paper Winged Dreams | Brimstone | 1973 | 2:22:48 (Pop-up) | |||||
Chalis | One Small Chance | One Small Chance | Ellen Abby | 1975 | 2:26:22 (Pop-up) | |||||
Clicker | Spring | Clicker | Hemisphere | 1973 | 2:29:42 (Pop-up) | |||||
Archangel | Missa Archangelus: Kyrie | With Angels and Archangels | no label | 1974 | 2:33:05 (Pop-up) | |||||
Tomsix | Identity 217 (1975) | Soundbones | Behemoth | 1994 | 2:35:24 (Pop-up) | |||||
Amber Route | When Cries Are Photographed Finally As Ravens | Snail Headed Victrolas | Coriolis | 1980 | 2:41:18 (Pop-up) | |||||
Pre | Path (1973) | Pre | ZNR | 1992 | 2:48:20 (Pop-up) | |||||
Flight | I'm Alone | Take a Long Look | Airborne | 1974 | 2:52:59 (Pop-up) | |||||
The Out-Theme | Gelbart: My Favorite Vacation [part of] + Die Trip Computer Die: Airborn [part of] | 2:56:37 (Pop-up) |
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Listener comments!
Dean:
I'll just sit here for the hour and seven minutes.
Tony Coulter:
glenn:
listener james from westwood:
JtotheK:
Tony Coulter:
Dean:
V Priceless:
Tony Coulter:
Tony Coulter:
coelacanth∅:
Tony Coulter:
doctorjazz:
glenn:
Tony Coulter:
dale:
Tony Coulter:
coelacanth∅:
HollyT:
dale:
Hams:
Tony Coulter:
Tony Coulter:
HollyT:
V Priceless:
coelacanth∅:
Dean:
holland oats:
Tony Coulter:
Nick S.:
coelacanth∅:
Tony Coulter:
listener james from westwood:
Godfather of Prog:
βrian:
Dean:
Tony Coulter:
@Godfather of Prog: No Beefheart or Zappa either. I'm definining prog very narrowly today, so no avant prog or prog fusion -- just straight-up proggy prog.
Tony Coulter:
V Priceless:
βrian:
coelacanth∅:
glenn:
listener james from westwood:
Psychspaniolos:
Tony Coulter:
doctorjazz:
Tony Coulter:
V Priceless:
HollyT:
listener james from westwood:
Carmichael:
coelacanth∅:
Tony Coulter:
Happy the Man is a sure bet.....
Tony Coulter:
listener james from westwood:
Psychspaniolos:
Nick S.:
Tony Coulter:
Dean:
doctorjazz:
Tony Coulter:
northguineahills:
coelacanth∅:
Tony Coulter:
Tony Coulter:
foofs:
Tony Coulter:
dale:
foofs:
Dean:
βrian:
dale:
Tony Coulter:
listener james from westwood:
Godfather of Prog:
Tony Coulter:
dale:
Psychspaniolos:
Tony Coulter:
HollyT:
coelacanth∅:
Tony Coulter:
listener james from westwood:
βrian:
Dean:
dale:
Carmichael:
micah:
northguineahills:
Dean:
northguineahills:
Tony Coulter:
βrian:
coelacanth∅:
Tony Coulter:
micah:
Carmichael:
dale:
Tony Coulter:
Psychspaniolos:
listener james from westwood:
coelacanth∅:
northguineahills:
Tony Coulter:
coelacanth∅:
Dean:
micah:
glenn:
dale:
northguineahills:
Dean:
Godfather of Prog:
northguineahills:
coelacanth∅:
(if i don't get tossed into the next town)
Carmichael:
micah:
Dean:
holland oats:
Godfather of Prog:
steveo:
Sem Chumbo:
holland oats:
Nick S.:
Tony Coulter:
V Priceless:
Tony Coulter:
Tony Coulter:
Dean:
Psychspaniolos:
Tony Coulter:
Dean:
steveo:
Dean:
Tony Coulter:
Tony Coulter:
dale:
Tony Coulter:
coelacanth∅:
Dean:
Everybody wanted to sound like Genesis, etc., including a bunch of Italian bands, and then everybody wanted to sound like those Italian bands.
coelacanth∅:
i'd sacrifice a finger to sound like king crimson. (first 7 albums only)
dale:
coelacanth∅:
Tony Coulter:
Dean:
coelacanth∅:
V Priceless:
G of P.:
glenn:
Nick S.:
glenn:
Dean:
Nick S.:
dale:
Dean:
coelacanth∅:
Tony Coulter:
coelacanth∅:
glenn:
micah:
dale:
Tony Coulter:
G of P.:
V Priceless:
micah:
Psychspaniolos:
coelacanth∅:
...and i do like them, but -just. i'm never compelled to put on some genesis, with the one exception (strangely?) of an instrumental track from the post-Gabriel wind & wuthering.
Tony Coulter:
Nick S.:
Tony Coulter:
Psychspaniolos:
micah:
micah:
Tony Coulter:
V Priceless:
Nick S.:
coelacanth∅:
Nick S.:
V Priceless:
coelacanth∅:
Carmichael:
glenn:
Tony Coulter:
coelacanth∅:
doctorjazz:
Dean:
Tony Coulter:
northguineahills:
Tony Coulter:
V Priceless:
coelacanth∅:
Dean:
glenn:
coelacanth∅:
wind and wuthering is different than all of them, maybe. (or do i just think that because i heard that one first, oblivious to the 7 albums prior?)
Dean:
I hear TOTT as a fairly radical deviation from LLDOB. WAW is of a piece with TOTT to my ears. YMMV.
glenn:
V Priceless:
Yes, 'slugslime' ftw!
Hackett continues to create some inspired music...
coelacanth∅:
YMMV??
Psychspaniolos:
listener james from westwood:
V Priceless:
Dean:
July 9, 1978, Washington Post, an article about colored vinyl noting that Gabriel Bondage's second album sold at least 30K copies, due in part to its three editions: one red, one white, one blue vinyl.
Carmichael:
HollyT:
Tony Coulter:
steveo:
steveo:
Dean:
Home | Listen | Give the Drummer Radio | GTDR Weekly Schedule
coelacanth∅:
see y'all
glenn:
steveo:
steveo:
coelacanth∅:
Nick S.:
Tony Coulter:
steveo:
steveo:
glenn:
coelacanth∅:
steveo:
coelacanth∅:
steveo:
coelacanth∅:
doctorjazz:
here's the link to the old homepage.