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A yurt for the transgenred.
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June 16, 2018: Sardine: The Unchovy
The Inflatable Squirrel Carcass proudly brings you another exquisite corpse, or, in this case, an exquisite course in marketing and brand management. Sardines, superstars in Portugal (they even have stores devoted to them), sit gathering dust on the shelves of America’s retail food markets. Search “sardines in literature” and you find yourself looking at 529,000 results, most of which have nothing to do with literature and everything to do with “Qualitative analysis of sardine and anchovy oscillations and implications for the management of sardine and anchovy fisheries in Oman.” Where is the Flicka or Charlotte of sardines? Why are sardines always portrayed in the can or heading in that direction? Even the cockroach (thank you Franz Kafka) and the rat (thank you Michael Jackson) have been used effectively to describe life and love. But the sardine? Nothing but an easy metaphor for subway passengers during rush hour. Well we, and when I say “we” I mean nine other DJs and myself, have set out to right this glaring wrong. How? Let us begin by sharing the fruit of knowledge and enjoy that which the gods fear most: “Think sardine, be sardine.”
Listen to this show:
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Artist | Track | Album | Label | Approx. start time | ||||||
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The Inflatable Squirrel Carcass | Sardine: The Unchovy | Sardine: The Unchovy | No Label | 0:00:00 (Pop-up) | ||||||
Kim (w/Emily and Dez) | Sardine: The Unchovy | Sardine: The Unchovy | No Label | 0:08:32 (Pop-up) | ||||||
DJ Stashu | Sardine: The Unchovy | Sardine: The Unchovy | No Label | 0:13:15 (Pop-up) | ||||||
Amedeo | Sardine: The Unchovy | Sardine: The Unchovy | No Label | 0:17:02 (Pop-up) | ||||||
John Schnall | Sardine: The Unchovy | Sardine: The Unchovy | No Label | 0:23:23 (Pop-up) | ||||||
Tamar | Sardine: The Unchovy | Sardine: The Unchovy | No Label | 0:28:30 (Pop-up) | ||||||
Jeff Moore | Sardine: The Unchovy | Sardine: The Unchovy | No Label | 0:33:57 (Pop-up) | ||||||
Cheyenne | Sardine: The Unchovy | Sardine: The Unchovy | No Label | 0:40:18 (Pop-up) | ||||||
Dan Bodah | Sardine: The Unchovy | Sardine: The Unchovy | No Label | 0:45:22 (Pop-up) | ||||||
Scott Williams | Sardine: The Unchovy | Sardine: The Unchovy | No Label | 0:49:30 (Pop-up) | ||||||
Misha Mengelberg Trio | A Bit Nervous | Who's Bridge | Avant | 1:02:15 (Pop-up) | ||||||
Eve Risser White Desert Orchestra | Jaspe | Les Deux Versants Se Regardent | Clean Feed | 1:07:10 (Pop-up) | ||||||
Dedalus | Ehi Charles | Pezzi Inediti + Materiali '74-'76 | Elica | 1:12:37 (Pop-up) | ||||||
Don Pullen | The Eagle Staff Is First | Sacred Common Ground | Blue Note | 1:17:10 (Pop-up) | ||||||
Art Ensemble of Chicago | Theme De Yoyo | Les Stances A Sophie | Universal Sound | 1:20:56 (Pop-up) | ||||||
Rotary Connection | Tales of Brave Ulysses | Songs | Cadet | 1:29:57 (Pop-up) | ||||||
Noonday Underground | Everything I Want | On A Quiet Night | Hands Full | 1:34:23 (Pop-up) | ||||||
Mike Patton | L'Uomo Che Non Sapeva Amare | Mondo Cane | Ipecac | 1:36:10 (Pop-up) | ||||||
William Shatner | Common People | Has Been | Shout Factory | 1:39:22 (Pop-up) | ||||||
The Texas Chainsaw Orchestra | American Woman | Texas Chainsaw Orchestra | Rhino | 1:43:54 (Pop-up) | ||||||
Parts & Labor/Tyondai Braxton | Don't Just Fucking Stand There | Rise, Rise, Rise | Narnack | 1:47:05 (Pop-up) | ||||||
Borut Kržišnik | Going Down | Currents of Time | ReR | 1:49:42 (Pop-up) | ||||||
Patois Counselors | Target Not A Comrade | Proper Release | Ever/Never | 1:53:29 (Pop-up) | ||||||
Parquet Courts | Wide Awake | Wide Awaaaaake! | Rough Trade | 1:56:45 (Pop-up) | ||||||
Burnin Red Ivanhoe | Purple Hearts | M144 | Sonet | 2:06:30 (Pop-up) | ||||||
Bent Knee | The Things You Love | Say So | Cuneiform | 2:12:10 (Pop-up) | ||||||
Black Mountain | Queens Will Play | In The Future | Jagjaguwar | 2:18:21 (Pop-up) | ||||||
Thomas Function | Day In The Shade | In The Valley Of Sickness | Fat Possum | 2:23:28 (Pop-up) | ||||||
Danielson | Time That Bald Sexton | Ships | Secretly Canadian | 2:25:52 (Pop-up) | ||||||
The Essex Green | Modern Rain | Hardly Electronic | Merge | 2:29:47 (Pop-up) | ||||||
Beechwood | Up and Down | Inside The Flesh Hotel | Alive | 2:33:48 (Pop-up) | ||||||
Pale Lights | Coming Up For Air | The Stars Seemed Brighter | Calico Cat | 2:37:06 (Pop-up) | ||||||
Jeremy Enigk | Lizard (The End Sessions) | Return of the Frog Queen | Sub Pop | 2:40:40 (Pop-up) | ||||||
Hilary Woods | Take Him In | Colt | Sacred Bones | 2:43:58 (Pop-up) | ||||||
Tenniscoats | Shika | Music Exists Disc 1 | Majikick | 2:47:58 (Pop-up) | ||||||
Bernard Herrmann | Introduction | The Film Music of Bernard Herrmann: The Twisted Nerve, The Bride Wore Black, Hangover Square | Cinema Records | 2:52:57 (Pop-up) |
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Listener comments!
AgDave:
People with large brains such as GK Chesterton thought sardines were a big deal.
Others disdain these little fish but I love them, and recently found out they're good for me.
NOT the fake mackerel sardines, the real kind. Which I hope is what I've been eating?
This show has my full attention!
rich:
here's something to look at: http://www.tonihamel.net
devvo:
northguineahills:
Mike tp:
rich:
JakeGould:
More specifically, “There's the sea in the background, an eye, an egg-shaped sun… The Catalan peasant has become a triangle with an ear, eye, pipe… And the man's heart, entrails and sexual organs. I've shown the Toulouse-Rabat airplane on the left: it used to fly past once a week. In the painting I showed it by a propeller, a ladder, and the French and Catalan flags. You can see the Paris-Barcelona axis again… A sea and one boat in the distance, and, in the very foreground, a sardine with a tail and whiskers gobbling up a fly… A broiler waiting for the rabbit, flames and pimento on the right.” www.washingtonpost.com...
coelacanth∅:
rich:
JakeGould:
northguineahills:
mb:
Tamar:
rich:
Franco Twinkie:
JakeGould:
rich:
rich:
coelacanth∅:
Franco Twinkie:
rich:
coelacanth∅:
coelacanth∅:
Fashion Tashjian:
Roger:
rich:
rich:
coelacanth∅:
rw:
JakeGould:
coelacanth∅:
...anyway the whole piece is Brilliant. Thank you and good night.
rich:
Fashion Tashjian:
rw:
Michael 98145:
rich:
Michael 98145:
kimzilla: