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I play rhinoceros and psychedelic fork.
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Artist | Track | Album | Label | Year | Approx. start time | |||||
---|---|---|---|---|---|---|---|---|---|---|
The In-Theme | 0:00:00 (Pop-up) | |||||||||
Martin Davorin-Jagodić | Tempo Furioso B | Tempo Furioso | Cramps | 1975 | 0:02:00 (Pop-up) | |||||
Kyle Gann | Ghost Town | V.A.: Century XXI - USA 1: Electronics | New Tone | 1994 | 0:21:58 (Pop-up) | |||||
Charles Rice Goff III | Blue Sunday | Swinging from Loose Hinges: An Homage to the Music of the Doors | Taped Rugs | 2019 | 0:32:11 (Pop-up) | |||||
T.A.C. | O(h)M | Waiting for the Twilight | SmallVoices | 2002 | 0:34:38 (Pop-up) | |||||
Terry Riley | Cactus Rosary (1990) | Arraymusic Ensemble: New World | Artifact Music | 1993 | 0:40:22 (Pop-up) | |||||
Luc Ferrari | Éphémère (1974) | Éphémère | Mode | 2015 | 1:13:21 (Pop-up) | |||||
Nouvelles Lectures Cosmopolites | The Oniric Sequence | V.A.: Music to Be Murdered By | Bruits Blancs | 1991 | 1:26:22 (Pop-up) | |||||
Michael J. Baker | Columbus (1988) | Arraymusic Ensemble: New World | Artifact Music | 1993 | 1:30:54 (Pop-up) | |||||
Peter Garland | The Three Strange Angels (1973) | Border Music | What Next? | 1992 | 1:46:07 (Pop-up) | |||||
N.A.D.M.A. | Energia | Uno Zingaro di Atlante con un Fiore a New York | RE: BMG Ariola | 1973 | 1:51:08 (Pop-up) | |||||
Peter Eötvös | Chinese Opera (1986) - III. Szene in Fis und C | Chinese Opera / Shadows / Steine | Kairos | 2000 | 1:55:48 (Pop-up) | |||||
Charles Ives | In the Night (from "Set for Theatre Orchestra") (1906) | The Orchestral Music of Charles Ives | Koch | 2000 | 2:02:24 (Pop-up) | |||||
T.A.C. | A Dream of a Dream | Waiting for the Twilight | SmallVoices | 2002 | 2:04:35 (Pop-up) | |||||
Herbert Howells | Three Dances for Violin and Orchestra (1915) - 2nd Movement | Piano Concerto No. 2 / Concert for Strings / Three Dances | Hyperion | 1992 | 2:09:49 (Pop-up) | |||||
Pauline Oliveros | The Fool's Circle | Crone Music | Lovely Music | 1990 | 2:20:10 (Pop-up) | |||||
The Doubling Riders | Possessions and Treasures (1985) | The World of the Doubling Riders | Spittle | 2019 | 2:26:19 (Pop-up) | |||||
Laurent Petitgand | Chi Wy Ku | V.A.: Music to Be Murdered By | Bruits Blancs | 1991 | 2:29:01 (Pop-up) | |||||
Joan La Barbara | Autumn Signal (1978) | The Early Immersive Music of Joan La Barbara | Mode | 2017 | 2:33:38 (Pop-up) | |||||
Constant Lambert | Dance of the Shepherds and Shepherdesses (from "Tiresias") (1951) | Tiresias / Pomona | Hyperion | 1999 | 2:46:55 (Pop-up) | |||||
Claude Lombard | Sleep Well | Claude Lombard Chante | RE: Sommor | 1969 | 2:55:25 (Pop-up) | |||||
Stuck in Traffic | 2:59:16 (Pop-up) |
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listener james from westwood:
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hello everybodeez!
JtotheK:
Sem:
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coelacanth∅:
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listener james from westwood:
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Webhamster Henry:
I once heard at Tower Records that Christian Rock outsold Jazz and Classical combined.
The reference in that anecdote may date it, but I bet it's still true.
Dean:
Oz Fox, guitarist for Stryper, used to hang out in my apartment in Whittier many years ago. Is Christian Rock still a genre?
Webhamster Henry:
Kyle used to do the new music reviews in the Voice.
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Dean:
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Lurking happily in the background.
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the Asshole Grey Machine:
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