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Intrinsically curated, the music on this program—exclusively vinyl played on Technic 1200 M3D turntables—presents an illuminating collection of other-worldly grooves, beats, and sounds. Host Kim Sorise honors the jazz innovators, beat conductors, soul senders, and mind benders that traverse our musical and auditory landscapes. Grease for all. In music we trust.
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Artist | Track | Album | Label | Year | Format | Approx. start time |
---|---|---|---|---|---|---|
Cal Tjader | Money Penny Goes For Broke | Cal Tjader Sounds Out Burt Bacharach | Skye | 1968 | LP | |
Freddie Hubbard | The 7th Day | The Artistry of Freddie Hubbard | Impulse! | 1963 | LP | 0:03:31 (Pop-up) |
McCoy Tyner | Survival Blues | Extensions | Blue Note | 1972 | LP | 0:13:57 (Pop-up) |
Music behind DJ: Toudie Heath |
Kamili |
Kawaida |
O'Be Records |
1970 |
LP |
0:27:09 (Pop-up) |
Pan Afrikan Peoples Arkestra, Horace Tapscott | Nakatini Suite | The Call | Outer National | 1978/2019 | LP | 0:32:53 (Pop-up) |
Fumio Karashima | Little Island | J Jazz Deep Modern Jazz From Japan 1969-1984 | BBE | 1976/2018 | LP | 0:42:36 (Pop-up) |
Dee Dee Bridgewater | Little B's Poem | Afro Blue | Mr. Bongo | 1974/2020 | LP | 0:51:01 (Pop-up) |
Music behind DJ: Shamek Farrah & Sonelius Smith |
Conversation Piece |
The World of the Children |
Strata-East / Mondo Svart |
1977-2020 |
LP |
0:54:59 (Pop-up) |
Richard Davis | Dealin' | Black Fire! New Spirits! Radical and Revolutionary Jazz in the USA 1957-82 | Soul Jazz | 2014 | LP | 1:02:44 (Pop-up) |
Kiyoshi Sugimoto | Long Neal | Live at Mingos Music | Kiva | 1973 | LP | 1:09:18 (Pop-up) |
Sangam / Jazz Yatra Sextet | Dawn | You Need This: Deep Jazz Vol 3 | BBE | 2019 | LP | 1:17:18 (Pop-up) |
Muriel Grossmann | Wien | Quiet Earth | RRGems | 2020 | LP | 1:22:05 (Pop-up) |
John Klemmer | Constant Throb | Constant Throb | Impulse! | 1972 | LP | 1:32:49 (Pop-up) |
Music behind DJ: Pharoah Sanders |
Capricorn Rising |
Tauhid |
Impulse! |
1967 |
LP |
1:36:44 (Pop-up) |
The Positive Force with Ade Olatunji | The Afrikan in Winter | Oracy | Pamoja | 1977 | LP | 1:50:49 (Pop-up) |
The Lightmen Plus One | Jupiter's Child | Energy Control Center | Now Again | 2018 | LP | 1:56:00 (Pop-up) |
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Listener comments!
KimSorise:
listener james from westwood:
KimSorise:
doctorjazz:
WR:
KimSorise:
listener Rey:
KimSorise:
coelacanth∅:
Little Danny:
KimSorise:
Thanks for tuning in!
Little Danny:
Little Danny:
Gina Bacon:
bigplanetnoise:
KimSorise:
@Little Danny.. The long way around that questions is... I played trumpet as a kid, so that did help some. My dad played sax as well and his favorite player was Pharoah Sanders. Even though I didn't see him much as a kid, the outtings we had were to the Montreaux Detroit Jazz Fest each year. So I think for me it was exposure to live players first. But LPs that floored me: Ornette Coleman's Shape of Jazz to Come changed the way I listened to jazz.
The first time I heard the Art Ensemble of Chicago was impactful - I was about 19.
bigplanetnoise:
Little Danny:
KimSorise:
doctorjazz:
Gina Bacon:
Jon:
KimSorise:
Thank you, Jon! This warms my heart.
Gina Bacon:
bigplanetnoise:
KimSorise:
WR: