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I play rhinoceros and psychedelic fork.
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Artist | Track | Album | Label | Year | Approx. start time | |||||
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The In-Theme | 0:00:00 (Pop-up) | |||||||||
Food | Fountains of My Mind | Forever Is a Dream | RE: Ascension | 1969 | 0:01:58 (Pop-up) | |||||
T.I.M.E. | Trust In Men Everywhere | Smooth Ball | Liberty | 1969 | 0:05:05 (Pop-up) | |||||
Strawberry Path | Woman Called Yellow "Z" | When the Raven Has Come to the Earth | RE: Radioactive | 1971 | 0:10:05 (Pop-up) | |||||
Chariot | You Let Me Love You | Chariot | RE: Radioactive | 1971 | 0:15:34 (Pop-up) | |||||
Granmax | Bankers Bar | A Ninth Alive | Panama | 1976 | 0:19:26 (Pop-up) | |||||
Kid Blast | Leather City USA | Kid Blast | Claridge | 1976 | 0:23:58 (Pop-up) | |||||
Beggars Opera | Lady of Hell Fire (1973) [bonus track] | Get Your Dog Off Me! | RE: Repertoire | 1973 | 0:28:08 (Pop-up) | |||||
White Noise | Soul of the Spider | V.A.: Arizona Sounds, Vol. 4 | KDKB | 1980 | 0:31:51 (Pop-up) | |||||
Absolute Body Control | Is There an Exit (Live) | V.A.: International Sound Communiqué 3 | Man's Hate | 1985 | 0:40:27 (Pop-up) | |||||
Autentisk Film | Offer | V.A.: International Sound Communiqué 3 | Man's Hate | 1985 | 0:45:12 (Pop-up) | |||||
Earth's Epitaph | Yesterday's Child | V.A.: International Sound Communiqué 3 | Man's Hate | 1985 | 0:49:34 (Pop-up) | |||||
Lister | Elifantz | V.A.: International Sound Communiqué 3 | Man's Hate | 1985 | 0:52:22 (Pop-up) | |||||
Screamin' Popeyes | Look Ma, No Sticks | V.A.: Drum (A Percussive Compilation) | Spilling Audio | 1993 | 0:56:19 (Pop-up) | |||||
Qubais Reed Ghazala | Bamboo | V.A.: Drum (A Percussive Compilation) | Spilling Audio | 1993 | 1:00:05 (Pop-up) | |||||
Neil Sherhag & Mike Hovancsek | Soaring Apathy | V.A.: Drum (A Percussive Compilation) | Spilling Audio | 1993 | 1:04:50 (Pop-up) | |||||
Eleven Shadows | Splintering | V.A.: Drum (A Percussive Compilation) | Spilling Audio | 1993 | 1:08:54 (Pop-up) | |||||
The Pop Group | Blood Money | Y | Re: Mute | 1979 | 1:14:26 (Pop-up) | |||||
English Subtitles | Reconstruction | 7" EP | Small Wonder | 1979 | 1:17:23 (Pop-up) | |||||
Mother May I | Commercial | 7" | no label | 1981 | 1:22:32 (Pop-up) | |||||
Come On | Kitchen in the Clouds | 7" | no label | 1978 | 1:24:53 (Pop-up) | |||||
Standing Waves | Integrating Circuits | 7" | Classified Records | 1980 | 1:27:08 (Pop-up) | |||||
Polyrock | In Full Circle | Changing Hearts | RCA Victor | 1981 | 1:29:17 (Pop-up) | |||||
Fall of Saigon | Visions | Fall of Saigon | RE: Gazul | 1982 | 1:33:00 (Pop-up) | |||||
Young Marble Giants | Credit In The Straight World | Colossal Youth | RE: Les Disques du Crépuscule | 1980 | 1:35:17 (Pop-up) | |||||
Kiss My Jazz | Silly Disco Song | In the Lost Souls Convention | Heavenhotel | 1997 | 1:37:42 (Pop-up) | |||||
X-Legged Sally | Yesbody 4 (Yesbody Enjoys the Envious Eyes at His Moontan) | The Land of the Giant Dwarfs | Bang / Knitting Factory | 1995 | 1:38:58 (Pop-up) | |||||
Christiane Maria Cohade | Le Culot de Pablo | A Voix Basse | AMF | 1993 | 1:41:10 (Pop-up) | |||||
Antena | Spiral Staircase (1982) [bonus track] | Camino del Sol | RE: Numero Group | 1:44:51 (Pop-up) | ||||||
Olla Podrida | Mon Coeur Est un Viol Long | Olla Podrida | Algorythm | 1998 | 1:50:17 (Pop-up) | |||||
Léo Kupper | Paroles sur Lèvres, Paroles sur Langue (2006) | Digital Voices | Pogus | 2012 | 1:52:43 (Pop-up) | |||||
Pierre Bartholomée | Adieu (1988) | Le Point Nocturne | Cypres | 2006 | 2:08:25 (Pop-up) | |||||
Toru Takemitsu | To the Edge of Dream (1983) | V.A.: To the Edge of Dream | Sony | 1993 | 2:16:29 (Pop-up) | |||||
Maurice Ohana | Avoaha (1991) – V: Iya, la Mère Universelle | Office des Oracles | Montaigne / Naïve | 2003 | 2:31:25 (Pop-up) | |||||
Magma | Aurae | Magma | RE: Seventh | 1970 | 2:34:37 (Pop-up) | |||||
Blood, Sweat & Tears | Variations on a Theme by Erik Satie (1st & 2nd Movements) | Blood, Sweat & Tears | Columbia | 1968 | 2:45:24 (Pop-up) | |||||
The Fallen Angels | One of the Few Ones Left | It's a Long Way Down | RE: Collectables | 1968 | 2:47:54 (Pop-up) | |||||
Arto Lindsay | Imbassai | Mundo Civilizado | Bar/None | 1997 | 2:50:36 (Pop-up) | |||||
The Out-Theme | Gelbart: My Favorite Vacation [part of] + Die Trip Computer Die: Airborn [part of] | 2:56:13 (Pop-up) |
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Listener comments!
Tony Coulter:
listener james from westwood:
Tony Coulter:
Phillip:
Tony Coulter:
Tony Coulter:
arb:
Tony Coulter:
Yvang:
Tony Coulter:
rw:
coelacanth∅:
HollyRT:
Tony Coulter:
rw:
Tony Coulter:
rw:
Tony Coulter:
rw:
Listening Out There:
rw:
Tony Coulter:
Phillip:
Tony Coulter:
Phillip:
WR:
Tony Coulter:
Phillip:
Rich in Washington:
Howdy everyone!
Phillip:
Tony Coulter:
Tony Coulter:
Sem:
Question: how do you keep the rhinoceros you play tuned? Asking for a clueless friend who bought a playable rhino and is stuck on that point.
WR:
Tony Coulter:
Phillip:
Dean:
https://i2-prod.mirror.co.uk/incoming/article4820130.ece/ALTERNATES/s1227b/Wassily-Kandinsky-painting.jpg
Tony Coulter:
rw:
WR:
Dean:
rw:
WR:
(jeez, just because I have no meeting calls, I do have work I should be doing... LOL.)
Dean:
Looks good upside down, too.
Phillip:
Phillip:
Phillip:
Tony Coulter:
Phillip:
Tony Coulter:
WR:
Tony Coulter:
listener james from westwood:
WR:
Tony Coulter:
chresti:
Tony Coulter:
WR:
rw:
Tony Coulter:
rw:
rw:
WR:
Tony Coulter:
Tony Coulter:
Yvang:
Yvang:
Yvang:
Tony Coulter:
Tony Coulter:
rw:
rw:
rw:
Yvang:
Tony Coulter:
rw:
rw:
Yvang:
Tony Coulter:
Tony Coulter:
listener james from westwood:
Rich in Washington:
listener james from westwood:
Rich in Washington:
The only lyrics I can recall is 'Now we rest. Tuck head beneath your wing..." sung in a tremulous, almost Mrs. Miller voice.
rw:
rw:
rw:
Tony Coulter:
WR:
Stanley:
Tony Coulter:
Stanley:
Dean:
Yesterday my son flopped on the sofa, so I put on the Library of Congress Jelly Roll Morton discs. The dulcet tones of Jelly Roll's voice and playing knocked him out for a good hour or two.
Tony Coulter:
Dean:
northguineahills:
Tony Coulter:
Julie:
Tony Coulter:
Phillip:
Phillip:
Julie:
northguineahills:
Phillip:
Yvang:
listener james from westwood:
Tony Coulter:
Phillip:
coelacanth∅:
tchau
Nick S.: